A darkly immersive coming-of-age story set on the hazardous coast of Cornwall.
Baker brings the world of the 19th-century wrecking industry to life in this historical novel.
The village of St. Rose in Cornwall, England, sustains itself on a peculiar trade: salvage. The law says that when a ship smashes on the treacherous rocks off the coast, whoever can grab its contents, either from the sea or from the shore, is the new rightful owner—if everyone aboard the ship is dead. This leads to macabre practices, even by children, such as 14-year-old Hannah Pendarves and her younger siblings, who find a still-living man on the beach and promptly bash in his head so they can loot his pockets. Only later does Hannah learn that dead man hadn’t been swept in from a ship at all, but was a gentleman of some importance whose murder is of interest to the constable. The teen feels no guilt for taking the man’s life—she views anyone not from St. Rose as a “foreigner” and therefore undeserving of empathy—but she’d prefer not to bring the eyes of the law on wreckers’ work. When Hannah’s father, salvager Hap Pendarves, is convinced by his new wife to get Hannah out of the house, he places his daughter as a servant (and spy) in the home of Falmouth shipping agent, Francis Keverne, who turns out to be related to the man she murdered. Hannah’s time outside the community of St. Rose soon has her wondering if the kill-and-steal ethic is really the best way to live. Over the course of this novel, Baker masterfully recreates the salt and grit of the period. This extend to the wreckers’ dialect, which is generally clear and straightforward, if occasionally confusing: “Tain’t that,” Hannah says, expressing her father’s intention to wed a local widow. “The Widdy Chegwidden is out of mourning today. He’s after marrying she.” Most impressive, though, is the author’s rendering of the violent, clannish culture of the Cornwall wreckers, which, over the course of Hannah’s journey, is engagingly portrayed from both the outside and inside.
A darkly immersive coming-of-age story set on the hazardous coast of Cornwall.Pub Date: Jan. 6, 2025
ISBN: 9781778066382
Page Count: 335
Publisher: Stories All the Way Down
Review Posted Online: Jan. 29, 2025
Kirkus Reviews Issue: March 15, 2025
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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