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THE MARY SHELLEY CLUB

An atmospheric page-turner about loving scary movies, longing to belong, and uncovering the many masks people wear.

Rachel, a 16-year-old trauma survivor, is initiated into her private school’s secret society for horror fans.

A year after surviving a violent attack, high school junior Rachel Chavez becomes the new girl at Manchester Prep on Manhattan’s affluent Upper East Side. The middle-class daughter of a faculty member, Rachel feels invisible except for her one new friend, harmless school gossip Saundra Clairmont. After a school party ends in a ghost story, a séance, and screaming, Rachel—who immersed herself in horror movies as a coping device—notices a prankster amid the chaos. Soon, she is initiated into the Mary Shelley Club, a tightknit group that requires secrecy and rule-following from its members. She joins Freddie Martinez, a film geek on scholarship; hot-tempered, Stephen King–adoring Felicity Chu; charming Thayer Turner, whose political family is compared to the Obamas; and brooding golden boy Bram Wilding. Mostly the teens just watch all sorts of horror films—classics, slasher, zombie, psychological—but membership also involves more sinister activities. Moldavsky’s tightly plotted tale weaves in dark humor, an impressive amount of horror trivia, and insightful references to Frankenstein. Readers will quickly become invested in Rachel’s story even when she’s making difficult-to-witness mistakes. The characters are notably diverse; issues of ethnicity and social class are naturally woven into the story.

An atmospheric page-turner about loving scary movies, longing to belong, and uncovering the many masks people wear. (Horror. 14-18)

Pub Date: April 13, 2021

ISBN: 978-1-250-23010-2

Page Count: 480

Publisher: Henry Holt

Review Posted Online: Feb. 4, 2021

Kirkus Reviews Issue: March 1, 2021

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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  • New York Times Bestseller

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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