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When Destinies Collide

A satisfying start to a new series about two royal brothers confronting a dark lord.

Evil returns and siblings reunite to defeat a common enemy in this debut fantasy novel.

When a foreboding piece of parchment is discovered in King Richard Bymoor’s Kingdom of Driniri, it sets in motion a chain of events that leads to emotional reunions and terrible loss. Sensing a dark force in the document, King Richard seeks his estranged brother, Lord Markus of Seth, who abandoned the realm and his claim to the throne of Driniri many years ago. The men soon realize that the parchment is a piece of the evil Nalal’s legacy and “the origin of dark magic.” Lord Gamil of Raimar plans to reconstruct the parchment, access the source of Nalal’s power, and take over the realm. The brothers form an alliance and plan to marshal their forces against Gamil (“War is coming, Richard, and it’s coming your way,” Markus tells the king. “The hows and whys are not important now. We must prepare…There is no way I will let that madman get his hands on this knowledge”). They journey toward Raimar, accompanied by a group of faithful companions including the steadfast William, the magical Juvich, and Guthru the Ogre. An eerie forest, a massive wall, and a seemingly abandoned city offer clues to the origins of Nalal and his abilities. Terrifying creatures provide insight into Nalal’s past and hint that more potent and destructive secrets are hidden in the archives at Raven City in Raimar. This novel fulfills the promises of the genre; it features magic and otherworldly beings in a well-constructed, imaginary world. Atkins offers a cast of likable characters, led by the endearing Richard and the mysterious Markus. The plot tension builds nicely with every corpse and eerily abandoned dwelling leading to a gratifying standoff between his two heroes and their sinister prey. The brothers’ storyline is by far the most engaging. While the duo leads a small force toward Gamil, Atkins’ parallel plot focuses on the military and the outmanned forces of Seth and Driniri. Here, the author gets bogged down in strategy and troop movement. The ultimate battle between Raimar and the armies of Driniri and Seth feels superfluous following the climax at Raven City. Yet the book recovers nicely at the end. Narrative threads are resolved, though Atkins strategically leaves a few loose ends.

A satisfying start to a new series about two royal brothers confronting a dark lord.

Pub Date: Sept. 14, 2015

ISBN: 978-1-5146-2258-2

Page Count: 342

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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