by Gordon S. Wood ‧ RELEASE DATE: May 16, 2011
Sound, agenda-free analysis, gracefully presented.
A Pulitzer and Bancroft Prize–winning historian offers deeply contemplative essays from a career devoted to studying the Revolutionary Era.
If, as Wood (History/Brown Univ.; Empire of Liberty: A History of the Early Republic, 1789-1815, 2009, etc.) asserts, the Revolution “is the most important event in American history, bar none,” it follows that arguments over its ideology, the doctrinal core of the nation’s creation, become critical, not just to contemporary politicians and activists looking to the past for legitimacy, but even—and more regrettably—to generations of historians bent on imposing their own era’s preoccupations. The author discloses his own methodology, of particular value to those interested in historiography, and also important to the general reader looking for reliable information about the nation’s origins. Wood rejects the temptation to take sides among history’s combatants. Rather, the historian’s task, he writes, is to examine why they “thought and behaved as they did,” understanding that ideas, while important, are subordinate to passions driving social change, that they are always constrained by the facts on the ground and frequently entail consequences that no one, not even their sponsors, could foresee. With these stipulations and with genuine modesty—in postscripts to most of these essays, Wood frequently offers second thoughts about pieces composed years ago—he covers such topics as the disconnect between the sometimes lurid rhetoric accompanying the more prosaic reality of the Revolution; the Founders’ fascination with the rise and fall of Republican Rome; the unique radicalism shared by Jefferson and Tom Paine; the conspiratorial interpretation of events that flourished in the 18th century; the era’s sincere fear of monarchism on the one hand, mob rule on the other; the ideal of disinterestedness versus the competing interests unleashed by messy democracy; the peculiar awkwardness of the republic’s first decade; and the origins of our unique constitutionalism and our sometimes misguided political evangelism. It’s difficult to conjure another writer so at home in the period, so prepared to translate its brilliant strangeness for a modern audience.
Sound, agenda-free analysis, gracefully presented.Pub Date: May 16, 2011
ISBN: 978-1-59420-290-2
Page Count: 400
Publisher: Penguin Press
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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