by Gordon Thomas ‧ RELEASE DATE: Oct. 2, 2012
A valiant but not fully successful attempt to rehabilitate the reputation of “Hitler’s pope.”
A defense of the pope who got a bad rap for his public silence on Jewish persecution in Rome during World War II.
While reading prolific English writer Thomas’ (Operation Exodus: From the Nazi Death Camps to the Promised Land, 2010, etc.) dramatized account of Pius XII’s backroom dealing to help the Jews, readers come away with the impression that the new pope was endowed with a mission by the moribund Pius XI on his deathbed to campaign against anti-Semitism and subsequently pursued little else during the duration of the war. Yet Pius XII deliberately resolved that “there must be no public denunciation by the church” of Nazi persecution, supposedly to work more effectively behind the scenes for Jews to escape and also to sustain the tenuous Vatican neutrality. In his episodic, fast-paced narrative, Thomas cuts among scenes involving an array of international characters who were agitating against the Nazis during the war years, such as the leaders of Rome’s ancient Jewish ghetto, British and American diplomats, members of the anti-fascist resistance, spies and helpful Vatican priests. Events move at a breakneck pace, from Mussolini’s embrace of Nazi Germany, bombing by the Americans, the Abwehr director Wilhelm Canaris’ courting of the pope for a secret assassination plot of Hitler, and Hitler’s own crazy plot to abduct the pope. The plot culminated in the extortion of gold from the Jewish community and the horrific Gestapo roundup of thousands of Jews in October 1943. And still the pope remained silent. Thomas offers secondhand accounts such as by Pius’ devoted Bavarian housekeeper Sister Pascalina Lehnert, and though many illustrious voices have defended the pope’s record, it is not all entirely convincing.
A valiant but not fully successful attempt to rehabilitate the reputation of “Hitler’s pope.”Pub Date: Oct. 2, 2012
ISBN: 978-0-312-60421-9
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: July 6, 2012
Kirkus Reviews Issue: Aug. 1, 2012
HISTORY | HOLOCAUST | WORLD | GENERAL HISTORY
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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