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CREATION

A NOVEL

What, if anything, is Gore Vidal up to in this long, stylish, densely busy but totally undramatic novel of the Persian Empire, circa 520-445 B.C.? Occasionally he seems to be interested in presenting shrewd alternative versions of textbook history (particularly the Greek-Persian wars), the sort of dusted-off, backroom politics he managed quite well in his American historicals (Burr, 1876). More often he settles down into comparative theology—as his narrator, a grandson of prophet Zoroaster, is somehow able to visit all the great Greek philosophers and Eastern mystics of this remarkable era (Buddha, Confucius, etc.), trying on their theories and asking them the Great Questions. But most of the time Vidal merely seems content to string along incidents, anecdotes, artifacts, and rituals of the period—in a sort of picaresque travelogue with little shape and no momentum whatsoever. We begin in Athens, 445 B.C., where old, blind Cyrus Spitama—the ambassador from Persia—is infuriated by Herodotus' version of "the Persian wars" and responds by dictating his memoirs to nephew Democritus. Cyrus remembers his early years: his special status (as grandson of prophet Zoroaster) at the intrigue-ridden court of Great King Darius, where he grows up alongside Darius' son Xerxes—who saves Cyrus' life (a raging-boar attack), leads some youthful pranks in licentious Babylon, but will always feel doomed because of Darius' usurpation (via murder) of the Persian throne. Cyrus also recalls the real cause of the Greek-Persian Wars—the meddling, opportunistic advice of ambitious Greek hangers-on at Darius' court—and his own efforts to encourage Persian expansion to the east rather than the west. And, chiefly, Cyrus recollects his journeys to the east as Persia's trade-treaty ambassador. To India in search of iron and allies ("If Darius was obliged to walk about naked with a broom in order to gain India, he would")—where he hears the credos of Gosala, Mahavira, and Buddha, witnesses a horse sacrifice, takes an Indian wife, survives a flood, and observes treacherous palace revolutions. And then, after a brief sojourn back in Persia (Xerxes' ascension), to Cathay—where he is taken prisoner, sees vast human sacrifices, meets the sage of Taoism (here called Li Tzu), and gets deeply involved in the power-struggle between a Cathayan dictator and Confucius. (Cyrus finds Confucius a "nag" and an atheist. . . but the most impressive man of all.) This brings Cyrus up to about age 40—and then Vidal, apparently running out of energy, wraps up the next 20 years of his life (the decline and murder of Xerxes, more Greek-Persian conflict) in about 50 pages. . . plus an epilogue in which nephew Democritus suggests his atomic theory as an answer to Cyrus' eternal question: who created the world? Unfortunately, this loose theological-quest framework—what happens when a monotheistic, Heaven/ Hell believer is exposed to the gamut of Eastern philosophy or Western science? —is hardly enough to hold Vidal's meandering novel together. And though Cyrus' crisp, sarcastic tone often livens things up, the sheer onslaught of names and places and byzantine mini-plots (none of them developed with any depth or drama) will leave most readers confused and disappointed. Lots of jauntily fictionalized fact, legend, geography, and exotic cultural sociology, then—but only those with a great knowledge of (or appetite for) this theo-historical territory will want to ride along the whole length of Cyrus' journey.

Pub Date: March 26, 1981

ISBN: 0375727051

Page Count: 592

Publisher: N/A

Review Posted Online: Nov. 11, 2013

Kirkus Reviews Issue: March 1, 1981

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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