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A MEMOIR

Though Vidal’s memories from encounters in DC, New York, Hollywood and elsewhere remain intact, the wit that animates the...

In this successor to the first volume of his memoir, Palimpsest (1995), prolific novelist/essayist/gadfly Vidal mixes mournful minor keys among his usual trumpet blasts against what he regards as an American emporium run by oil men and religious fanatics.

Vidal fans will recognize much material from Palimpsest and Screening History, which offered his meditations on the movies. But in contrast to earlier reminiscences, “melancholy baggage” weighs more heavily on him here—declining health and departed friends, notably longtime companion Howard Austen. (The account of the latter’s final days is the most affecting part of this book.) Moving from his villa in Ravello, Italy, to the Hollywood Hills, Vidal starts this year-long chronicle on New Year’s Eve 2004. Death—Iraq casualties, disaster victims in New Orleans, the exits of Saul Bellow, Johnny Carson and Pope John Paul II—provokes a flood of memories and political fulminations. Like a weary ancient Roman patrician, he awaits his turn to shuffle off this mortal coil, though not without cost. “These rehearsals for death take more and more out of one,” he confesses. Sensing that time is no longer on his side, Vidal summons his energies to celebrate friends, flay enemies (the New York Times froze his first several novels out of its daily book reviews, largely, he says, because of his sexual orientation) and bemoan the end of “our old original Republic.” When of a mind, Vidal can produce memorable portraits (e.g., on Orson Welles: “When he laughed, which was often, his face, starting at the lower lip, would turn scarlet while sweat formed on his brow like a sudden spring rain”). But while taking credit for urging JFK to create a Peace Corps, he fails to note it was proposed in Congress earlier. Moreover, he mentions nothing about imbroglios with William F. Buckley and Norman Mailer, and is mostly silent on novels like Lincoln and Burr.

Though Vidal’s memories from encounters in DC, New York, Hollywood and elsewhere remain intact, the wit that animates the best of his oeuvre is largely absent, leaving a voice at best affecting and at worst hectoring.

Pub Date: Nov. 7, 2006

ISBN: 0-385-51721-1

Page Count: 272

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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