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THE THREE LITTLE PIGS COUNT TO 100

Count on other retellings for the fractured–fairy-tale shelf.

The three little pigs take on math.

As the title indicates, the story overtly embeds math content in its text. First, one mother pig cuts two apples in half so that she and her three children can have a snack, but since they’re still hungry, she sends them off to seek their fortunes. The first two pigs acquire their respective, traditional building materials, with the text identifying five bundles of hay to build a cylindrical hut and six sticks (and some sheets) to build a conical teepee. The wolf’s huffing and puffing gives both pigs time to escape, and it also apparently slows him down enough that the third pig has time to reject various materials—seven baskets of wool, eight bags of leaves, nine boxes of rose petals, 10 pails of peanuts—until he finds someone (the Gingerbread Man) selling bricks and buys 100 for a bunkerlike house in the shape of a cube. After failing to huff and puff this house down, the wolf becomes a vegetarian, and the pigs gather in the brick house for dinner. A few extra pages prompt readers to revisit the shapes and numbers from the story, but these feel superfluous to the book rather than integral and enriching. Digital art cleverly incorporates metafictive references but is otherwise undistinguished.

Count on other retellings for the fractured–fairy-tale shelf. (Math picture book. 3-6)

Pub Date: Sept. 1, 2015

ISBN: 978-0-8075-7901-5

Page Count: 32

Publisher: Whitman

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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GREEN IS FOR CHRISTMAS

Fun enough to read once but without enough substance to last.

Familiar crayon characters argue over which color is the essential Christmas color.

Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)

Fun enough to read once but without enough substance to last. (Picture book. 3-6)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-35338-7

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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