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WHOA, BABY, WHOA!

As in Helen Oxenbury’s world, this home offers a stimulating environment where an endearing explorer employs his senses to...

An irrepressible, biracial baby crawls toward trouble at every turn, only to hear the titular refrain from safety-conscious family members.

Translucent watercolors and loose lines capture the postures and behaviors of this busy child in a most convincing manner. The cycle of mild tension and relief repeats itself as he dumps and explores the contents of mother’s purse, ascends the bookcase or proceeds toward the dog food. Each time, the tot’s trajectory is diverted before disaster strikes. Nichols’ blend of informal and precise rhymes—within a pattern of gerunds describing the baby’s actions, followed by declarative sentences voicing the reprimands—yields a lively patter that scans reasonably well (if not always perfectly): “Climbing / up Grandpa / like a / mountaineer / Grabbing / at those glasses / he likes to wear… ‘Whoa, / Baby, whoa! / You sure like doing that / but without my glasses / I’m blind as a bat.’ ” Humor is transmitted through the images as visually challenged Grandpa addresses the dog, while Baby sports the senior’s spectacles. The rhythm is supported through the use of a larger and darker type for accented beats. Words wobble, and letters are formed unevenly, mirroring the endless motion of the protagonist. Readers will be delighted to hear a new response when Baby takes his first steps.

As in Helen Oxenbury’s world, this home offers a stimulating environment where an endearing explorer employs his senses to learn and grow. (Picture book. 1-3)

Pub Date: Feb. 1, 2012

ISBN: 978-1-59990-742-0

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Dec. 2, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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BUNNY ROO, I LOVE YOU

A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of...

A mother’s observations of her new baby lead to a series of sweet comparisons to various animals.

“When I met you, you were small and trembling, and I thought you might be a little bunny. / I held you close so you were warm.” Teen author Marr (Made for You, 2014, etc.) uses playful yet comforting language in her picture-book debut. The baby’s squirming kicks remind her of a “lost kangaroo”; a lifting of the child’s head makes her think of a “curious lizard”; and the little one’s howl seems like that of a “lonely wolf.” Each of the child’s behaviors leads to a tender action taken by the mother: tucking the baby in, offering milk, and giving a bath. Each time a new creature is introduced, White gently changes the dominant color in the muted pastel palette of her watercolor and gouache illustrations. That hue is also reflected in the hand-lettered text, giving the overall design of the book a vintage feel. When the baby smiles, the mother knows “You are not a bunny-roo-lizard-wolf-kitten-piggy. You are my baby.” The final page shows the curled-up infant asleep in a pile of blankets.

A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of their families. (Picture book. 1-3)

Pub Date: April 14, 2015

ISBN: 978-0-399-16742-3

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: April 1, 2015

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YOU ARE MY HAPPY

Guess how much you’ll be reading this.

Parent and child share a day of small adventures and cozy snuggles.

That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.

Guess how much you’ll be reading this. (Novelty. 18 mos.-3)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-3509-7

Page Count: 32

Publisher: Sourcebooks Wonderland

Review Posted Online: Sept. 23, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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