Think of the pieces here as a series of scale models that together encapsulate Paley’s generous sensibility.
Has there ever been an author like Paley?
A poet and essayist but primarily a short story writer, she functioned, before her death in 2007 at age 84, as a kind of conscience to the culture, an activist who saw art-making as political from the start. Before she became a writer, she was a committed localist, working to improve Greenwich Village’s parks and schools during the 1950s, when she had two school-age children of her own. This notion of community, and commitment, pervades her writing, presented in all its brilliant and elusive glory in this omnibus. Drawing from the efforts of a lifetime—the story collections The Little Disturbances of Man, Enormous Changes at the Last Minute, and Later the Same Day; the book of essays Just As I Thought; and a selection of more than 30 poems—the idea is to showcase her versatility. But if Paley is a better fiction writer than a poet or essayist (her short stories are among the finest produced by an American), the result is to remind us of her vision, her consistency. As a writer, Paley stands outside the usual categories, blurring naturalism with postmodernism, straddling the old world and the new. The collection highlights that without belaboring the point. Look at the magnificent “Goodbye and Good Luck,” in which a spinster aunt confesses to her niece that she is getting married; “I was popular in certain circles, says Aunt Rose,” the story begins. Or “A Conversation with My Father,” which opens with a request: “I would like you to write a simple story just once more,” the narrator’s aging father asks. “Just recognizable people and then write down what happened to them next.” Still, try as she might, the narrator can’t hide the fact that this is the sort of writing, “the absolute line between two points,” she has “always despised…because it takes all hope away. Everyone, real or invented, deserves the open destiny of life.” For Paley, that’s the key to her perspective, regardless of the genre in which she works. “What does a writer leave behind?” George Saunders asks in his introduction. “Scale models of a way of seeing and thinking.”
Think of the pieces here as a series of scale models that together encapsulate Paley’s generous sensibility.Pub Date: April 18, 2017
ISBN: 978-0-374-16582-6
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 4, 2017
Kirkus Reviews Issue: Feb. 15, 2017
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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