A poet reflects on her long marriage and struggle to define her own career.
In a graceful, engaging memoir, Schulman (English/Baruch Coll., CUNY; Without a Claim, 2013, etc.)—former poetry editor of the Nation, director of the Poetry Center at the 92nd Street Y, and winner of the Frost Medal for Distinguished Lifetime Achievement in American Poetry—writes candidly about her marriage to virologist Jerome Schulman, her literary aspirations, and her grief following her husband’s recent death. She takes her title from lines by Marianne Moore, describing marriage as “that strange paradise / unlike flesh, gold, or stately buildings / the choicest part of my life.” Schulman met Moore when she was 14, the beginning of a warm friendship. She edited an authorized edition of Moore’s poems and focused on her work in her doctoral dissertation. Many other poets, writers, and artists make appearances as Schulman recounts the trajectory of her career. These include novelist Richard Yates; poets W.S. Merwin, Joseph Brodsky, and Derek Walcott; critic Irving Howe; and many of the acclaimed writers—e.g., James Baldwin, Allen Ginsberg, Robert Lowell, and Octavio Paz—Schulman invited to the 92nd Street Y. Much of the memoir focuses less on her marriage than her achievements in the literary world. Schulman married reluctantly, fearful of giving up her independence, but her husband never failed in encouraging her to write and submit her work for publication; she chafed, though, at being dependent on his income as she embarked on her career, and her resentment “seeped into our marriage like smoke.” With their discovery of Jerome’s infertility and their inability to talk frankly about adoption, the marriage foundered, leading to a 10-year separation. “My marriage,” she admits, “has been a feast of contradiction: radiance and dissatisfaction; intense loyalties and devastating treacheries; freedom and the sacrifice, albeit willing, of independence; excitement and a kind of pleasant boredom.” They reunited only to then face Jerome’s illness and a heart attack, followed by years of suffering and deterioration.
An affecting recollection of a life rich in literature and love.