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BIRTHDAY SOUP

A celebratory tale embracing culture, identity, and of course food.

A family of Korean descent creates memories centered on a birthday tradition.

Birthday girl Maia, clad in her purple bunny pajamas, runs down to greet her mother. Her excitement grows when she learns that Umma is cooking something special: miyeok guk, or birthday soup. The dialogue-heavy narrative expounds on the dish’s origins. Packed with nutrients, this seaweed soup is typically served to new mothers; Korean people traditionally eat the dish on their birthdays to honor their mothers. As Maia’s father, grandmother, and older brother chime in with their own memories and reactions, everyone pitches in to help cook. Kim’s deft use of bright blended colors and textures creates joyful scenes of Maia preparing the ingredients with her family. Portrayed with oversize round heads, they cut endearing figures in the cartoonish art. After reveling in the legacy and flavors of the soup, Maia decides to serve it to her friends at her party. Several aspects of Maia’s Korean heritage are represented: Her grandmother wears a hanbok, her relatives bring silk envelopes containing birthday money, and japchae and kimchi are served alongside pizza and tacos—and, of course, miyeok guk. Maia and her parents smile as her friends appreciate the soup—the perfect party! Maia’s friends are racially diverse. The book wraps up with two recipes for miyeok guk, including one from the author’s husband, restaurateur and TV personality David Chang.

A celebratory tale embracing culture, identity, and of course food. (glossary, author’s note) (Picture book. 5-8)

Pub Date: Sept. 10, 2024

ISBN: 9780593621615

Page Count: 32

Publisher: Viking

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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GRANDMA'S GIRL

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.

Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.

Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)

Pub Date: April 7, 2020

ISBN: 978-1-7282-0623-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: April 1, 2020

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