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JUNGLE DRUMS

The author of The Water Hole (2001) creates elaborately worked scenes of vast African plains and thick jungles, in which lurk disguised creatures and subtle transformations for sharp-eyed young observers to spot. Puny warthog Ngiri plays a set of wish-granting bongos furnished by a wise old wildebeest, only to discover that his never-explicitly-expressed wishes go awry. One morning, the colorful stripes, spots, feathers, and other features decorating the local wildlife have switched over to the formerly plain, ugly warthogs—then the next morning, they’re back again, only on the wrong animals. Hostility levels rise, until Ngiri confesses to the deeds; once he gets things back to normal (but not quite: Base suggests another look), he finds that his own social standing has risen. Not the strongest plot around, but, along with the pleasures of poring over accomplished, sometimes beautiful art for cleverly hidden details, children will be drawn by the silly switcheroos and comical expressions of dismay among the animal cast. (Picture book. 7-9)

Pub Date: Sept. 1, 2004

ISBN: 0-8109-5044-8

Page Count: 40

Publisher: Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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