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THE SIGN OF THE SEAHORSE

A TALE OF GREED AND HIGH ADVENTURE IN TWO ACTS

The Australian creator of the best-selling Animalia (1987) concocts an underwater yarn in which the ugly Grouper and his henchmen, who have opened up some barrels of toxic waste on the ocean floor in a real-estate takeover attempt, are heroically outwitted by an intrepid band of soldier crabs in full regimental regalia, the amiable Pearl (waitress at the Seahorse Cafe), and the ``Catfish Gang,'' including Pearl's loutish brother Finneus (``really just your normal teenage Trout''). All of this is related in interminable, relentlessly rhythmic doggerel—peppered with clever turns of phrase, but not enough to spice this abundant fish stew. What will draw readers, and buyers, is the art: a fully imagined underwater world where a sea snail may carry a backpack complete with kettle and kitchen sink, the fishy heroine wears an apron and pearls, and each believably fishy face is also a witty human caricature. At least as imaginative as—and less earnest than—Gurney's Dinotopia (p. 921), and illustrated with greater skill; there's also the ecological message. (Picture book. 6+)

Pub Date: Oct. 1, 1992

ISBN: 0-8109-3825-1

Page Count: 44

Publisher: Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

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THE WILD ROBOT

From the Wild Robot series , Vol. 1

Thought-provoking and charming.

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A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.

When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.

Thought-provoking and charming. (Science fiction/fantasy. 7-11)

Pub Date: April 5, 2016

ISBN: 978-0-316-38199-4

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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