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CASE STUDY

A brisk and engaging novel that wears itself thin on the grindstone of its own conceit.

A provocative send-up of midcentury British mores and the roots of modern psychotherapy.

Toward the end of 2019, GMB, a character with the author's initials, receives an email from one Martin Grey, who has in his possession several notebooks he believes GMB might find of interest. Mr. Grey asserts that the notebooks were written by his cousin about Collins Braithwaite, the notorious and now largely forgotten “enfant terrible of the so-called anti-psychiatry movement of the 1960s,” on whom GMB has recently published a blog post. According to Grey, the notebooks contain evidence of near-criminal misconduct concerning Braithwaite’s involvement in the suicide of the diarist’s older sister, Veronica. GMB’s research assures him of the notebooks’ authenticity, if not their veracity, and he presents their contents verbatim, interspersed with sections of his own outline of Braithwaite’s salacious life and ignoble death. From the plinth of this metatextual introduction, the book dives into the “kooky élan” of a thoroughly middle-class young woman—the diarist—as she infiltrates Braithwaite’s office under the nom de guerre Rebecca Smyth. Rebecca is bent on uncovering the truth about Braithwaite’s therapeutic practice though she’s unsure what purpose this truth would serve. However, over the course of the five notebooks, Rebecca’s rapid descent into true depression coupled with her increasing difficulty in keeping her original identity separate from her assumed self become the driving narrative. As the novel progresses, the author’s layering of his fictional characters’ unverifiable testimony, frank deception, and self-aggrandizing half-truths with significant historical figures of the time—like R.D. Laing and Dirk Bogarde—and GMB's omnipresent frame narrative overlap to the extent that it's hard to tell not just whose perception to trust, but which among all these counterfeit identities is real. As beguiling as Rebecca’s wry domestic critique can be, the book’s star is clearly the carefully constructed unreliability Burnet imbues at every level of his writing. This results in a novel that strives toward the biggest of questions—in the absence of the Cartesian ego Braithwaite seeks to slay, is there anything at all underneath our masks?—but lacks the character-driven empathy that would encourage us to care about the answer.

A brisk and engaging novel that wears itself thin on the grindstone of its own conceit.

Pub Date: Nov. 1, 2022

ISBN: 978-1-77196-520-0

Page Count: 288

Publisher: Biblioasis

Review Posted Online: July 25, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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