A strong reminder of just how affecting nostalgia can be, but Part 2 of this love story is out of tune with its beginning.
Simsion makes a clear departure from the world of The Rosie Project (2013) and provides a soundtrack to this story of love in two parts.
Adam Sharp usually reserves reminiscing about his stint as an IT consultant in Melbourne for when he’s listening to sad songs of lost love. But a one-word email from his ex-lover is powerful enough motivation to get him questioning his choices over the last 22 years. When “hi” hits his inbox, Adam is living a life of routine in England. His long-term relationship with fellow IT professional Claire is more friendly than passionate but extremely functional. Gone are the days where he is regularly behind a piano, singing to—or with—a girl. For Adam, that girl is Angelina Brown, who walked up to him at the piano in 1989 with mascara running down her cheek and asked if he could play “Because the Night.” He ended by singing out to the man who pulled her away, whom he later discovers to be Angelina’s husband, with “a Lennon–McCartney send-off. ‘You’re Gonna Lose That Girl.' " The first half of the novel is devoted to Adam’s affair with the young, up-and-coming actress, with music playing an essential role in their connection—something they’ll never share with anyone else. Though “in the end it was [he] who lost the girl.” Back in the present, the email exchange turns from playful to life-changing when Angelina invites Adam to stay with her in France. The consequences of reconnecting take on the physical form of Angelina’s husband, Charlie, who reveals himself as an active player in this charade. Their week in France is a complicated unfolding that feels like its own book, a midlife crisis that develops in real time during which Adam's and Angelina’s versions of the past collide. With a piano serving as their medium, they must reconcile the 20-something versions of themselves with the people now sipping on 1966 Château Margaux.
A strong reminder of just how affecting nostalgia can be, but Part 2 of this love story is out of tune with its beginning.Pub Date: May 2, 2017
ISBN: 978-1-250-13040-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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