A scenic yet tepid tale.
After one of them is diagnosed with a terminal illness, friends and lovers reconnect as they take on a pilgrimage to Rome.
Three years ago, Zoe, an American cartoonist from San Francisco, and Martin, an English engineer from Sheffield, met and fell in love while walking the Camino de Santiago de Compostela from France to Western Spain. Ultimately, Zoe couldn’t give up her life in America, and they parted as friends. Now, Zoe is back in France, about to take another journey with her college friend Camille, who has just found out she has multiple sclerosis. This time, they’ll be walking the Chemin d’Assise to Rome, where Camille hopes to see the pope. Thanks to some miscommunication, they're joined by Martin; his 20-year-old daughter, Sarah; and Bernhard, a college student who walked the Camino with them. Gilbert, Camille’s now not-so-ex-husband, is also along for the hike. With almost a thousand miles to go to Rome, there’s plenty of time for relationships to grow and wither while feelings long unspoken make their ways to the surface. In this follow-up to Two Steps Forward (2018), the husband-and-wife writing team of Simsion and Buist again divide the book into alternating chapters told from Zoe's and Martin’s points of view. Unfortunately, most of Zoe's and Martin’s character growth happened in the previous book, and characters with weightier journeys, such as Sarah, Camille, and Gilbert, are tragically overlooked. An emphasis, for better or for worse, is put on practicality when it comes to emotions, and that seems to sum up most of the writing: The bones of the story are there, but the feelings surrounding them seem to be stripped away. The descriptions of the towns and inns the characters stay in along the way are vivid, but the pilgrims themselves are drab.
A scenic yet tepid tale.Pub Date: Dec. 6, 2022
ISBN: 978-1-922458-86-5
Page Count: 368
Publisher: Text
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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