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THE TOOTH FAIRY

From the author of Requiem (1996): a story about a boy growing up in England in the 1960s—with one singular difference: He's haunted by a demonic Tooth Fairy that only he can see, but whose effects spill over into his family and friends. When seven-year-old Sam Southall of Redstone, near Coventry, loses a tooth, he's visited that night by a sinister, rank- smelling, foul-mouthed, mercurial Tooth Fairy; the Tooth Fairy, in turn, is astonished that Sam can see him. During his unpredictable visits, he quickly teaches Sam to make mischief at school, then insists that Sam have his friend Terry sleep over. That same night, Terry's father shoots his wife, his other children, and himself. Prompted by the Tooth Fairy's sexual teasing, Sam learns to masturbate and discovers girls—especially Alice, of the local horse-riding club. Soon, because Alice vandalized the club's hut and blamed the deed on Terry and their friend Clive, the boys are forced to join the Scouts to prove their innocence. During a Scouts night, a scary game gets out of hand: Sam kills a bully as he prepares to rape Clive, and in a panic the boys conceal the Dead Scout and swear to say nothing. Despite the Tooth Fairy's taunts, the Dead Scout's disappearance passes unremarked. Then the Tooth Fairy, now female and thoroughly enticing, threatens to expose Sam unless he demands a telescope for Christmas. He gets her wish, and both he and she are fascinated by the stars. Finally, the Dead Scout shows up—alive and well—and the friends become hysterical with relief. At the close, Alice pairs off with Terry; Sam realizes that his own need calls up the Tooth Fairy; he and she make love, symbolically shedding their skins, although Sam, preparing to go to college to study astrophysics, recognizes that he must let her go. Sharp, freshly imagined, and evocative work, by turns wrenching, funny, and disquieting.

Pub Date: Feb. 20, 1998

ISBN: 0-312-86261-X

Page Count: 320

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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