No literary pretension here, just a lot of violent action with bad guys and good guys and a little bit of Hollywood lore.
A movie stuntman and his pals take on a gang of bad guys who’ve been making trouble since 500 BCE.
Horror specialist Masterton (Edgewise, 2007, etc.) foregoes the bag of supernatural tricks for a thriller that whips around from Gibraltar to Hollywood. The story starts when tough but amiable movie stuntman Noah Flynn overdoes a stunt, sending an expensive movie camera and some incredibly expensive footage to the bottom of the Mediterranean. After a jolly, boozy night with his fellow movie techies, Noah, assisted by ravishing Finnish co-stunt chum Silja, goes diving in search of the camera. The camera turns up quickly on the ocean floor, but so does some interesting World War II wreckage. Noah sends up some of the pilot’s effects with the camera. Among the items is a medallion bearing the pilot’s last name on one side and cuneiform markings on the other. The object is not unique. Its near twin shows up on the neck of a fellow seeking to assassinate lovely, randy, West African peace ambassador Adeola Davis thousands of miles away in the Middle East. Back in L.A., Noah asks a chum with academic connections to decipher the cuneiform. Bad idea. The intensely evil professor who tackles the translation is the latest top dog in a succession of evildoers going back to Babylonian king Nebuchadnezzar. These are villains who believe that peace is the greatest obstacle to human advancement. With no time to mourn his ex-girlfriend, whose throat the bad guys slit, or his comedy-writing buddy Mo, whom they castrate as well as butcher, Noah, assisted by the intrepid and erotically athletic Silja, goes to war on the creeps, a quest that soon merges with the heavy duty of keeping Adeola alive.
No literary pretension here, just a lot of violent action with bad guys and good guys and a little bit of Hollywood lore.Pub Date: Oct. 1, 2007
ISBN: 978-0-7278-6536-6
Page Count: 240
Publisher: Severn House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2007
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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