THE NINTH NIGHTMARE

Masterton (Fire Spirit, 2010, etc.) continues his Night Warriors series by tossing half-a-dozen untried Warriors at a nefarious 12th-century amputee monk.

Something is definitely wrong at Cleveland’s Griffin House Hotel. In Room 717, a disembodied voice predicts doom for charity worker Katie Kercheval. Police detective Walter Wisocky warns Rhodajane Berry, who’s come to town for her grandmother’s funeral, to report any odd doings in Room 309. Record promoter Lincoln Walker is attacked by a wraithlike figure who sets Room 104 afire. Rooms 237 and 239, where twin teen singers Kiera and Kieran Kaiser are staying, keep turning into an open field. The problem, cabdriver John Dauphin patiently explains, isn’t just with the hotel, it’s with these guests, all of whom are unwittingly sensitive to the dreams with which the walls have been infused ever since Cleveland Flats rapist/killer Gordon Veitch polluted them back in the 1930s. And the evil of these dreams goes back even further to the Cistercian monk Brother Albrecht, who’s been plotting dream-borne revenge and reunion with his beloved ever since his arms and legs were amputated in punishment for adultery 900 years ago. The first third of this installment (Night Wars, 2006, etc.) hints at these developments in some truly creepy ways. The rest—revealing their superhero destinies to the Griffin House guests (refashioned as An-Gryferai, Xyrena, Zebenjo’Yyx, Jekkalon and Jemexxa) and arming them to enter the dream world and do battle with Veitch, now calling himself Mago Verde, and Brother Albrecht—is more routine action stuff.

The closest parallels to this novel are movies like Inception and comic books featuring the Justice League of America.