Though the tropes invoked by Masterton (Festival of Fear, 2012, etc.) may be more tired than tried and true, his imaginative...
A historic hotel appears to be possessed by the ghost of its former owner and her creepy son.
Described as an “unredeemed hippy,” Sissy Sawyer believes that she can see into the future with the help of her DeVane deck, beautifully illustrated cards that help her interpret what will come to pass. When her stepnephew, Billy, stops by with his new girlfriend on a rainy Connecticut day, Sissy immediately senses that the beautiful girl has questions for both her and her cards and sends Billy out so that the two may talk alone. T-Yon, Cajun-speak for Petite Lilian, was raised in Louisiana with her brother, Everett. Now she’s had a disturbing and embarrassing nightmare about herself, her brother and her brother’s latest project, The Red Hotel in Baton Rouge. Sissy wishes she had better news to share, but T-Yon’s cards suggest that Everett is in grave danger. So Sissy and T-Yon catch a southbound flight to see if they can help in person. Everett, meanwhile, is determined to make the opening of his latest project a success and is more annoyed than afraid when deputy hotel manager Luther finds a blood-soaked rug in one of the hotel rooms. Although he doesn’t believe the rumors giving the other guests freesons (goose bumps), Everett knows he needs to put a stop to local chatter about the hotel being possessed by the ghost of former owner Mrs. Slider with the assistance of her son, Shem. T-Yon hopes that she can make a believer out of Everett before her dream becomes a reality.
Though the tropes invoked by Masterton (Festival of Fear, 2012, etc.) may be more tired than tried and true, his imaginative details and storyline more than compensate for any lack of originality.Pub Date: Nov. 1, 2012
ISBN: 978-0-7278-8189-2
Page Count: 224
Publisher: Severn House
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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