A moody lament for a vanished past, present, and future that grates subtly on the nerves and lingers uncomfortably in the...
An ex-policeman turned private detective finds himself unable to forget a former client who murdered her unfaithful husband.
This intricate and absorbing seventh novel from the Booker-winning British author (Last Orders, 1996, etc.) is constructed “like one of those sequences of film played backwards, so the victim who’s been struck down seems to leap towards the blow.” That metaphoric film is the narrative that assembles itself in the mind and memory of protagonist George Webb. We first meet Webb on the anniversary of the day when language teacher Sarah Nash killed her husband Bob, a successful gynaecologist [sic] who had just ended his affair with Kristina Lazic, the Croatian refugee who had been Sarah’s pupil and their houseguest, and was returning to her formerly embattled homeland. The tricky narrative circles around the day of that murder, which is juxtaposed against related occasions and memories: the day Webb’s wife Rachel left him, following his dismissal from the force for assaulting a suspect and botching a probable conviction; Sarah Nash’s first meeting with the p.i. Webb and his instant attraction to her; the day at the golf course during Webb’s youth when he discovered his own father’s adultery; and the present day, when Webb observes the rituals of bringing flowers to Bob Nash’s grave, and visiting the prison where Sarah waits, another ghost from his past that he’s unable to embrace. The story is a triumph of tone: its slowly accreting portrayal of a life unraveling with agonizing slowness, haunted by infidelity, secrecy, and guilt, gathers great emotional power. It is, however, intermittently redundant and sluggish, and the potentially rich character of Sarah is (deliberately, we understand) never brought fully into focus. Nevertheless, The Light of Day is an elegant and gripping text: a virtuoso fusion of noir-drenched mystery and psychological analysis reminiscent of similar recent works by Kazuo Ishiguro and Paul Auster.
A moody lament for a vanished past, present, and future that grates subtly on the nerves and lingers uncomfortably in the memory.Pub Date: May 5, 2003
ISBN: 0-375-41549-1
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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