by Grant Harper Reid ‧ RELEASE DATE: June 18, 2013
An entertaining biography that circles the theater and taps into an important cultural movement.
Awards & Accolades
Our Verdict
GET IT
Google Rating
Reid’s biographical debut ventures into the beating heart of the Harlem Renaissance through the life of his grandfather Leonard Harper.
Reid scoured historical archives to write this full account of Harper as a theater performer, choreographer, director and producer. Born the son of a poor singer in Birmingham, Ala., Harper performed on the street for pennies as a child. He became a talented performer, and after his father died, he studied soft-shoe in an effort to provide for his family. Reid writes of his grandfather at age 10: He “was now a first-class dancer who could tap rings around most of the adults and veteran masters. In other words, young Harper be boggity-boggity.” Reid continues with similarly charming turns of phrase as he shares the details of Harper’s exploits. Young Harper traveled with vaudeville shows until he found his way to New York, where he went solo at 16. By his early 20s, he found himself at the center of the Harlem Renaissance, and he worked with such legends as Duke Ellington, Florence Mills, Thomas “Fats” Waller and Louis Armstrong. Reid provides a straightforward account of the era’s racial tensions, with white producers often swindling Harper and his fellow African-American theater professionals out of the rights to their works. However, Harper was resourceful enough to successfully stage dozens of shows. Reid chronicles his barrier-breaking achievements, including his 1929 debut of Hot Chocolates, an African-American production that received great acclaim on Broadway. Though the book is full of praise for Harper, Reid also recounts his grandfather’s extramarital affairs and some of the more colorful stories of gangsters and burlesque dancers in the Harlem nightclub scene. While an unfortunate number of grammatical errors and clumsy run-on sentences distract from Reid’s careful research, dedicated theater and history buffs will happily brave the copy editing morass to access the wealth of information Reid has unearthed.
An entertaining biography that circles the theater and taps into an important cultural movement.Pub Date: June 18, 2013
ISBN: 978-0615678283
Page Count: 316
Publisher: Dr. Grant Harper Reid
Review Posted Online: Sept. 3, 2013
Review Program: Kirkus Indie
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.