A fizzily entertaining, emotionally sensitive take on the tug of war between success and fulfillment.
A young man must choose between love, authenticity, and manufacturing pantyhose in Abbott’s comic romance novel.
Alex Halaby, a 30-year-old Princeton grad who labors at his father’s pantyhose company (and who feels like his life has been preprogrammed by his domineering parents), quits and roars into the Manhattan night on his Harley-Davidson motorcycle, his sole signifier of independent manhood. There he meets Emily, the equally dissatisfied young wife of billionaire layabout Charles Lukes, who is dismissive of her ambition to be a painter and unforgivably bad at sex. Alex is great at sex, intimate conversations about their yearning souls, and singing satirical Tom Lehrer songs while accompanying himself on the piano; Emily can’t resist, and in short order she is pregnant with his baby. Guilt-stricken over the infidelity, Emily cold-shoulders Alex, who has his hands full when his father, Harry, suffers a heart attack, requiring Alex to step in to save the family company from bankruptcy. The author’s soap opera is a glittering sendup of Manhattan high society in the early 2000s, an upper-crust in which the men are fatuous stuffed shirts and the women frivolous fashionistas (“ ‘the banning of lapdogs from New York City restaurants is utterly deplorable, inhumane, and anal,’ ” declaims Charles’ sublimely shallow ex-wife, Claire). But the novel takes its protagonists’ longings seriously, and as Alex matures, he begins to appreciate Harry’s business as a meaningful outlet for his talents. Abbott probes his characters in vigorous prose that’s two-fisted (“You’re nothing but a cocky little punk who’s been playing in Daddy’s sandbox for, what, a month?”) and psychologically resonant (“The expertly rendered expressions were fractured, chaotic, and intense but oddly enigmatic: a savage glare full of amusement, a smile about to dissolve into weeping,” Alex observes of Emily’s clown paintings). Readers will root for Alex and Emily to figure themselves out amid the circus of preening wealth that surrounds them.
A fizzily entertaining, emotionally sensitive take on the tug of war between success and fulfillment.Pub Date: Dec. 14, 2022
ISBN: 9781663246974
Page Count: 284
Publisher: iUniverse
Review Posted Online: July 31, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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