Humble, challenging and inspiring.
With the assistance of science journalist Olson (Mapping Human History: Discovering the Past Through Our Genes, 2002, etc.), Bad Religion leader Graffin presents a memoir of a life lived “at the intersection of evolutionary biology and punk rock.”
In 1980, at age 15, Graffin co-founded the seminal punk band and also became fascinated with the writings and ideas of evolution. Bad Religion still plays and records, and the author is an evolutionary biologist with a doctorate in zoology from Cornell University. For Graffin, the appeal of both worlds was that, at their best, they challenged authority, dogma and given truths and opened up space for the anarchic process of creativity. As a naturalist, the author states that “the physical universe is the universe”—there is nothing more. But that is more than enough for him, as having a role in the unfolding adventure of life on earth—which includes both tragedy and death—sustains him. Life, he writes, is not simply an inexorable process of natural selection, in which the fittest survive and procreate, but an anarchic creative collision of biology and environment, chance and circumstance. Graffin and Olson explain this view of evolution in clear, accessible language. While avoiding easy analogies with evolution, a large part of the book is devoted to the evolution of Bad Religion, as its art and career careened in unpredictable directions. Along the way, Graffin provides a wonderful depiction of the early L.A. punk scene, a detailed account of his adventures doing field work in the remote Amazon region of Bolivia and an honest appraisal of his failure to successfully balance science, music and family. In the end, writes the author, it is the human trait of empathy—not religion or any other authority—that allows us to recognize our common humanity and to accept the uniqueness of each individual.
Humble, challenging and inspiring.Pub Date: Oct. 5, 2010
ISBN: 978-0-06-182850-8
Page Count: 304
Publisher: It Books/HarperCollins
Review Posted Online: Aug. 2, 2010
Kirkus Reviews Issue: Aug. 15, 2010
BOOK REVIEW
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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