PUNK PARADOX

The songwriter, lead singer, and sole constant member of the iconic punk band Bad Religion delivers a well-crafted memoir and manifesto.

“Formidable we were not,” writes Graffin. “But something was shared among all punk rockers outside of Hollywood: we were hated.” That hatred bonded those late-1970s–era kids in a torn-jeans, leather-jacketed united front against the yuppies, surf Nazis, and police officers who hunted for them. It also provided Graffin with both material and inspiration that informed Bad Religion, which he formed in 1980. The author was no ordinary punker, however: He took time off from the band to go to college and graduate school, though he did delay his doctorate in paleontology by going out on tour. Now a professor of evolution at Cornell as well as a working musician and author of Population Wars and Anarchy Evolution, Graffin takes a decidedly Darwinian view about business. “Never reveal to your competition what your true talent is,” he writes, “until that moment when you really need it to prove your superiority and leave the others dumbfounded and defeated, realizing that they had been victims of their own hubris, that you had been toying with them all along.” That ethos served him well when he took his young band out on the road, learning along the way that punk rockers created punk rock more than the other way around and that the genre was a wonderful expression of angst and discontentment channeled into something better than drugs or alcohol. Unusually, Graffin expresses solidarity with the hippies who preceded (and were reviled by) the punks, and he even has sympathetic words for the hair metal bands of Sunset Strip, who never got beaten up by the LAPD as much as the punks did.

An entertaining, memorable look at “the most intractable paradox of all: punk as a positive force in society.”