by Greg Grandin ‧ RELEASE DATE: March 5, 2019
An engaging and disquieting analysis of America’s recurring choice between “a humane ethic of social citizenship” and...
A history of how America’s conception of its borders reflects its changing identity.
From the time of the country’s founding, the frontier has had mythical significance, symbolizing limitless opportunity and grand ambition. Today, that expansive idea has been replaced with that of an isolating border wall. In an authoritative and compelling analysis, Bancroft Prize winner Grandin (History/New York Univ.; Kissinger’s Shadow: The Long Reach of America’s Most Controversial Statesman, 2015, etc.) traces America’s evolution from the 18th century to the present, as expressed in the metaphorical meaning of frontier. “Where the frontier symbolized perennial rebirth, a culture in springtime,” he contends, the wall now reflects “a conspiratorial nihilism, rejecting reason and dreading change.” The author locates the mythology of the frontier in an essay by historian Frederick Jackson Turner, who “emancipated the concept of ‘frontier,’ unhitched it from its more mundane earthbound means—used to indicate a national border or a military front—and let it float free as an abstraction” that signified “an aspiration.” The vast, open West portended political equality and unlimited natural resources, independence and individualism: deeply held—though idealistic and overly romantic—values. Democratic values surely did not shape pioneers’ treatment of Native Americans, who were slaughtered, displaced, and forcibly segregated; nor of African-Americans, who never shared in the apparently bountiful economic and political rewards of westward expansion. Virulent racism infected the concept of frontier during the presidency of Andrew Jackson, which was characterized by the brutal campaigns of the Indian Removal Act. At a time of fast-paced change, urban growth, and economic volatility, Jackson promised to rein in government intrusion and restore “primitive simplicity and purity.” Throughout the 19th century, Grandin amply shows, the nation became involved in wars in Mexico, the Caribbean, Central America, the Pacific, and Southeast Asia that redefined the relationship of frontier to domination, exploitation, and “the panic of power.” Trump’s border wall, writes the author, “is a monument to disenchantment,” resentment, and rage.
An engaging and disquieting analysis of America’s recurring choice between “a humane ethic of social citizenship” and barbarism.Pub Date: March 5, 2019
ISBN: 978-1-250-17982-1
Page Count: 384
Publisher: Metropolitan/Henry Holt
Review Posted Online: Dec. 2, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; translated by Marion Wiesel
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