Witty, poignant, and true.
Atlanta-based author Johnson (Pagan Babies, 1993; stories: I Am Dangerous, 1996) returns to familiar themes with a southern family brought together, transformed, and in part destroyed by AIDS.
Thom and his sister Abby haven’t spoken in four years, not since Thom exiled himself after a family incident at the time of their father’s death. Thirtysomething, he now lives in Atlanta, the family’s hometown. A successful realtor, Thom has recently lost his boyfriend to AIDS and is sustained by a wide circle of friends. It’s a bittersweet existence, brunch and Bloody Marys on the one hand, hospital visits and anti-viral cocktails on the other. Older sister Abby, meanwhile, is a schoolteacher who lives at home with Mom in Philadelphia. Single, getting a bit frumpy and more than a bit bitter, she spends too much of her time taking care of out-to-lunch Mom and is well on her way to redefining Catholic spinsterhood for the 21st century. When Thom gets in touch to tell her he’s HIV-positive, Abby takes charge. She flies to Atlanta with the intent of bringing Thom back and brokering a family reconciliation. But like a Henry James heroine on her first trip to Florence, Abby comes alive in Atlanta. After she reestablishes her intimacy with Thom, she finds herself a dark and sinister lover, a new wardrobe, a different hair-do, and several new friends. With Thom’s old and Abby’s new friends, they create a family of their own, and their collective tales, interrupted by gossip and drinks, laughter and occasional tears, sends the novel flying along. But the inevitable can’t be avoided, and, after putting it off for months, Mom comes to visit: a scary combination of southern politeness and northern frankness, she pulls the story together. Her presence sends it ricocheting between family memories and the troubled present. The odd reunion, however imperfect and inarticulate it may be, bathes the closing pages in love and sadness.
Witty, poignant, and true.Pub Date: Oct. 1, 2001
ISBN: 1-55583-637-2
Page Count: 324
Publisher: Alyson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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