Witty, poignant, and true.
Atlanta-based author Johnson (Pagan Babies, 1993; stories: I Am Dangerous, 1996) returns to familiar themes with a southern family brought together, transformed, and in part destroyed by AIDS.
Thom and his sister Abby haven’t spoken in four years, not since Thom exiled himself after a family incident at the time of their father’s death. Thirtysomething, he now lives in Atlanta, the family’s hometown. A successful realtor, Thom has recently lost his boyfriend to AIDS and is sustained by a wide circle of friends. It’s a bittersweet existence, brunch and Bloody Marys on the one hand, hospital visits and anti-viral cocktails on the other. Older sister Abby, meanwhile, is a schoolteacher who lives at home with Mom in Philadelphia. Single, getting a bit frumpy and more than a bit bitter, she spends too much of her time taking care of out-to-lunch Mom and is well on her way to redefining Catholic spinsterhood for the 21st century. When Thom gets in touch to tell her he’s HIV-positive, Abby takes charge. She flies to Atlanta with the intent of bringing Thom back and brokering a family reconciliation. But like a Henry James heroine on her first trip to Florence, Abby comes alive in Atlanta. After she reestablishes her intimacy with Thom, she finds herself a dark and sinister lover, a new wardrobe, a different hair-do, and several new friends. With Thom’s old and Abby’s new friends, they create a family of their own, and their collective tales, interrupted by gossip and drinks, laughter and occasional tears, sends the novel flying along. But the inevitable can’t be avoided, and, after putting it off for months, Mom comes to visit: a scary combination of southern politeness and northern frankness, she pulls the story together. Her presence sends it ricocheting between family memories and the troubled present. The odd reunion, however imperfect and inarticulate it may be, bathes the closing pages in love and sadness.
Witty, poignant, and true.Pub Date: Oct. 1, 2001
ISBN: 1-55583-637-2
Page Count: 324
Publisher: Alyson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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