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THE GILLS CREEK FIVE

A thoughtful, funny play about men from a Christian perspective.

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Dodd (A Seed for the Harvest, 2014) tells the story of five men brought together to form an unlikely book club in this Christian three-act play.

Dane is a divorced English teacher with an unpublished novel. When he started a Christian book club for men in the classroom of a church in Columbia, South Carolina, he had no idea what sort of characters might show up. Rett, it turns out, is someone he knows: a garrulous former pastor with whom Dane attended college but who has since undergone a faith journey that he can’t stop talking about. Sam is a veterinarian transplant from England who has trouble picking up on social cues, which is why he’ll happily natter on about the most recent enema he’s performed on a cat. Overweight, 24-year-old Emile doesn’t have a “job-job, like most people,” but rather spends his time on “tabletop fantasy role-play games, like HeroQuestand Feng Shui.” Emile balks at the length of the selected book. Most colorful is Martin, the loquacious and oft-drunk jokester whose wife thinks he’s at the AA meeting down the hall. Dane has his work cut out for him attempting to herd these cats into a functional book club. Martin needles, Rett butts in, Emile complains, and Sam loses the plot. But as the discussion moves to the text and beyond, Dane finds this collection of odd men to be a surprisingly fertile community. Faith, fears, and failing marriages all come up as each man slowly drops his guard and bares his soul. Dodd excels at the sort of dense, colorful dialogue necessary to sustain a play about a group of men in a room. Each of the five primary characters is so present and alive in their speech that the reader can easily picture them without the need of an actor to embody them. The standouts are Emile, with his halting, slangy utterances, and Martin with his hammy verbiage. The latter gets all the most writerly lines: “Regret is the fuel that drives our desire to get it right the next time. You take away all regret and we end up stumbling through life frying chickens at a KFC.” That isn’t to say that there isn’t some fat in the cross talk that could have been trimmed. Additionally, the fact that the book group is reading Dodd’s previous book, A Seed for the Harvest(“It did win a medal for Christian fiction in some independent publisher book awards last year,” plugs Dane), walks a fine line between metafictional wink and authorial self-indulgence. The Christian angle, while present, is not as heavy-handed as one might expect, and there are some thoughtful discussions on the nature of faith even if they end up in predictable places. It’s the character dynamics that really keep the reader turning the pages, however.

A thoughtful, funny play about men from a Christian perspective.

Pub Date: May 15, 2017

ISBN: 978-0-9915332-4-4

Page Count: 162

Publisher: Harvest Chronicles

Review Posted Online: Aug. 31, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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