A lively coming-of-age story that’s sure to resonate with anyone who looks back fondly on their childhood summers.
Dodd presents a novel about the unexpected pivotal moments and pleasures of growing up.
In 1994, Thomas Ransom “Ran” Fox Jr. looks back two decades to when he was 12 years old and sent, reluctantly, to spend the summer with Aunt Sarah and Uncle Breland on Pawleys Island, South Carolina. With no friends in the area, a gruff uncle who appears resentful for no identifiable reason, and—worst of all—no working television for easy entertainment, the subsequent three months seem like they’ll be irredeemably bleak (save, of course, for Aunt Sarah’s excellent peanut butter and banana sandwiches). Then Ran meets Joey, a local boy his age who not only helps Ran finish his yard work in half the time, but also introduces him to an intricate ecosystem of summertime adolescent adventure. Suddenly, there are girls to be kissed, sunrises to wake up early for, and arcade games to play at local hangout King’s, where he can enjoy snow cones (“You can try all our snowball flavors!” says the girl behind the counter there. “They’re really just snow cones, but we call them snowballs”). There are also complicated family histories to confront—including one that explains Uncle Breland’s initial resistance to having Ran come to stay. Dodd’s writing is lucid and engaging. Just as the island setting is densely imagined, so, too, are the book’s characters carefully and precisely observed; Ran’s first-person narration is sustained and observant, offering a wry, pleasurable foray into an adolescent mind. The story itself isn’t always surprising, but this is part of its allure, as a pleasant nostalgia becomes apparent in individual plot points (Ran's hopeless crush on older girl Heather Altman plucks especially familiar strings) to the chapter titles lifted from old 1970s songs (“Drift Away,” “Smoke on the Water,” “What's Going On”).
A lively coming-of-age story that’s sure to resonate with anyone who looks back fondly on their childhood summers.Pub Date: Aug. 28, 2023
ISBN: 9780991533282
Page Count: 239
Publisher: Rolos Tuesday
Review Posted Online: Oct. 2, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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