by Gregg Easterbrook ‧ RELEASE DATE: April 1, 1995
Nature is not the wimp that environmentalists would have us suppose, and hysterics regarding the state of the planet will only undercut the advances made over the last 25 years, claims Easterbrook in a voluminous study marred by contradictory moments and petty jibes. Easterbrook, a contributing editor to both Newsweek and the Atlantic, urges the environmental movement to get upbeat regarding improvements in our dealings with nature: cuts in air pollution, prospects for diminishing acid rain, citizens challenging toxic- waste situations, better water quality—all the result, he notes generously, of an ecological consciousness brought to us by the environmental movement. But, he continues, that movement is jeopardized by doomsayers and firebrands in its mainstream who throw credibility to the wind. He believes in the Earth's ability to mend its wounds—both those we wreak and the self-inflicted variety (e.g., by vulcanism and disease)—and that those little vexations of capitalism (greed, shortsightedness, gross inequalities in distribution) can be nipped. Easterbrook speaks confidently of a future when herbivorism will replace violence between sentient creatures (clearly, he doesn't talk to his plants); when cooperation will replace competition; when a rationalist ethic will prevail. Nice thought, though that train may never pull into the station. Techno-fixes are not the answer, he says, then blithely states that, when fossil fuels run out, ``humankind will have moved on to other energy sources.'' He admonishes that raw nature is nasty and brutish, then speaks of a time, not far off, when Earth ``will have become once again pure and pacific.'' And his endless sniping at the eco-narcissism of Jane Fonda, Robert Redford, et al. is so sour, it's rancid. Easterbrook's sensible, infectious glad tidings are a balm to our environmental concerns, but he needs more editorial red ink, and he needs to remember that all movements must shower some sparks if they hope to start a prairie fire and fan it to keep it going.
Pub Date: April 1, 1995
ISBN: 0-670-83983-3
Page Count: 700
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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