DARK HORSE

The iconoclastic Orphan X penetrates a Mexican cartel to rescue a South Texas beauty.

When his daughter, Anjelina, is snatched from her 18th birthday party, drug kingpin Aragón Urrea reaches out to assassin Evan Smoak, aka Orphan X. It’s pure luck that he’s able to reach the righteous, reclusive killer, who’s in seclusion after a harrowing free-fall escapade. Aragón’s heavily guarded compound clearly indicates that he’s no innocent, and the first tense meeting of the two powerful men simmers with the threat of violence, but stoic Evan has looked death squarely in the eyes many times before. The receipt of a cleanly decapitated head via FedEx—belonging not to Anjelina but to a man Aragón has undercover with the kidnappers—raises the stakes exponentially for the distraught Aragón, who assigns henchmen Kiki and Special Ed to assist Evan. Hurwitz gives his seventh Orphan X thriller an epic scope, writing with verve and color whether he’s relating the pre-coital banter between Evan and his neighbor Mia Hall, documenting the tangled search for Anjelina, or depicting her gritty fight for survival, to which he devotes a generous portion of the tale. His pace is leisurely but impactful, full of genre set pieces, fight scenes and chase scenes, and tense showdowns. Each member of the large cast of supporting series characters, developed over previous installments, gets a turn onstage. The deeper Evan goes, the more challenges he faces, including his considerable doubts about the propriety of helping a character as disreputable as Aragón. Deadly sparks fly when the Nowhere Man—that is, Orphan X—meets the novel's archvillain, the Dark Man.

A crackerjack thriller that briskly enhances the legend of Orphan X.