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THE LAST ORPHAN

A popular series ends, or not, with a bang and a healthy dose of wry humor.

Has the invincible Nowhere Man finally met his match?

A dark prologue follows horny young lamb Johnny Seabrook to a tryst that turns into a bloody slaughter. Readers will need to put a pin in this, for the narrative drifts to Iceland, where Evan Smoak, the former government assassin known as Orphan X, seeks serenity, or at least escape, in a desolate bar in the middle of nowhere. Evan’s backstory is lengthy and complex; Hurwitz shrewdly paints in primary colors and keeps the action moving. Orphan X has been a freelance avenger for a long time, and the feds would love to eliminate him. Thus the reappearance of his nemesis, Special Agent in Charge Naomi Templeton, and her tense meeting with President Victoria Donahue-Carr, who has sometimes targeted, sometimes allied with Evan in the past, depending on the circumstances. Capture and escape form a recurrent pattern in this eighth Orphan X caper, long on gritty action and crackerjack dialogue, as it ricochets from Europe to Beverly Hills to various points in the New York metropolitan area. Evan reconnects briefly with ladylove Mia, enlists the help of Orphan V after a particularly brutal killing, and eventually gets around to avenging Johnny. The short, punchy chapters’ piquant titles add another tongue-in-cheek layer to the proceedings. With its shoot-the-works plot and cameos by characters from previous Orphan capers, this thriller feels like a finale. But who knows if, like Michael Myers, the unstoppable Evan Smoak will delight fervent fans by coming back?

A popular series ends, or not, with a bang and a healthy dose of wry humor.

Pub Date: Feb. 14, 2023

ISBN: 9781250252326

Page Count: 352

Publisher: Minotaur

Review Posted Online: Nov. 28, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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CLIVE CUSSLER GHOST SOLDIER

Exciting adventure that’s worthy of the Cussler name.

The Oregon crew takes on a villain who bears a long-festering grudge.

In 1945, a captured American soldier unwillingly took part in a ghastly experiment. In the current day, a malign force has built on that research and plans to wreak unholy vengeance on Guam and, ultimately, on the United States. A mysterious, much-feared man called the Vendor, an arms purveyor whose increasingly dangerous weapons have just slaughtered soldiers in Niger, is testing his killing craft in the Indian Ocean. The Vendor’s reach extends as far as Kosovo and the Celebes Sea off the Philippines, where North Koreans try out some of his handiwork. Luckily, a modest-looking cargo ship plies the seas. It’s the Oregon, with all the internal wizardry one might wish for. It has a Cray computer, Cordon Bleu–trained chefs, and plenty of amenities to keep a top-notch crew dedicated. The seawater-powered ship can even change its outward appearance to disguise itself as the lowliest third-world rust bucket. In charge of this marvel is Juan Cabrillo, the protagonist. The crew of the Oregon are independent contractors and undertake an urgent mission from the CIA to investigate arms trafficking by the Taliban. That leads to an inevitable collision with the Vendor, whose tentacles reach far and wide. This might spell the end for Cabrillo because the Vendor “had proven himself unequaled in unarmed combat.” The Oregon Files series is always fun, and this episode is no exception. Cabrillo is a terrific leader in top physical shape, but he and the ship itself are tested to their limits. Of course, some of Oregon’s features beggar belief, but never you mind. They fit in well with the now-and-then over-the-top writing: “A giant piece of red-hot aluminum sliced through Juan’s fragile canopy like a drunken samurai’s katana through a rice-paper wall.” It’s hard to read a simile like that and not stop and smile. And in the same action sequence, the hero hits an object “like a speeding hockey forward cross-checking a parked Zamboni.” Ouch. It all “hurt like the dickens,” which is about as salty as the language gets.

Exciting adventure that’s worthy of the Cussler name.

Pub Date: Sept. 3, 2024

ISBN: 9780593719244

Page Count: 416

Publisher: Putnam

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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