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BLUE SUNRISE

An often impressive debut of an author in deft control of a mind- and galaxy-spanning SF premise.

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In Overman’s SF series starter, the crew of a nascent Mars colony and a lunar pilot struggling with addiction play key roles in a crisis as a fleet of alien ships approaches Earth.

This outer-space epic is set on multiple stages in the year 2061. A Louisianan named Ben Allspot employs his formidable skills as a pilot, doing a job on Earth’s moon to send money back to his estranged family, but everything he does is tainted by his all-consuming addiction to Carbodine—an insidious performance-enhancing narcotic that escapes routine drug testing. The drug is particularly plentiful in the ramshackle corporate complex where he works. On Mars, eight pioneering astronauts arrive on a three-year NASA mission to establish a colonial beachhead. Virtually from the start, an accident tests their problem-solving skills and depletes their resources, forcing them to search for frozen water sources. This, in turn, leads to the discovery of ancient Martian organisms, a scientific milestone that, on Earth, triggers the wrath of a Houston-based fundamentalist Christian church. Meanwhile, deep in the cosmos, a sentient race of “Trees” (creatures that become rooted during a plantlike phase) has risen to staggering intellectual and technological heights. They’ve also become enslaved by weasel-like mammals called the Koombar. When the latter had nearly destroyed themselves with greed, belligerence, and shortsightedness, the merciful Trees violated their noninterference policy to rescue them, but the Koombar betrayed them. Meanwhile, four black, cylindrical, faster-than-light machines have been detected beyond the orbit of Pluto, headed toward Earth.

As all the pieces come together, the pages turn faster. Overman’s keen prose shows a gift for plainspoken but effective description that renders a number of hard–SF concepts into lay terms with plenty of wow factor: “This room was probably once filled with ice. Over time, the ice has sublimed…but it is an uneven process. Small air currents and pockets of dissolved gases and other things would have caused the ice to evaporate faster in some areas than in others. These things sculpted the surface, resulting in what we see now.” At another point, the story addresses the difficulties of working with antimatter. He also succeeds in getting into the heads (and, in the case of the alien space probes, the automated programming) of distinctly different life forms and cultures; the Trees and the Koombar argue their points of view most effectively. That said, the human characters, such as the troubled Allspot, tend to be better developed when they hail from places close to the author’s Mississippi Delta origins; the female characters, in particular, are largely a two-dimensional bunch. Overall, the book is reminiscent of a cinematic space epic by James Cameron or Roland Emmerich in which one gets carried away by the staggering adventure, wonder, and danger of it all—only to realize later how little of it felt fresh and new. Still, the sequel promised by this novel’s ending will be eagerly awaited by readers after they complete this star trek. An often impressive debut of an author in deft control of a mind- and galaxy-spanning SF premise.

Pub Date: June 6, 2011

ISBN: 9780984589043

Page Count: 452

Publisher: FutureWord Publishing

Review Posted Online: Dec. 21, 2022

Kirkus Reviews Issue: Feb. 1, 2023

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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