by Gregg R. Overman ‧ RELEASE DATE: N/A
Solid SF followup in an exceptionally ambitious, insightful and peril-filled First Contact saga.
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In Overman’s SF novel, a group of resourceful astronauts on Mars struggles to survive in the aftermath of an attempted genocidal attack on Earth.
In the latter part of the 21st century, a breakthrough NASA Mars mission, staffed with scientific geniuses, negotiated danger after danger while discovering ancient water deposits on the red planet, making life there (past and present) theoretically possible. But there was much more: Coincidentally, Earth transmissions had been received in deep space by the Koombar, a congenitally treacherous and selfish civilization of rat-like humanoids who became a galactic superpower by enslaving (and killing most of) the Trees, a semi-sessile plantlike race whose longevity and empathy made them too altruistic and kind to survive. Now the Koombar, on a planet ironically called Harmony, use Tree technology (faster-than-light antimatter missiles, mostly) to summarily annihilate any evolving, distant planet that might represent a threat to Koombar supremacy. The murderous campaign was carried out in the ancient days of the solar system…not against Earth, but Mars, where insect-like, subterranean hive-minds mastered survival in the harsh environment. Now, the NASA human expedition has reawakened the very last of the Martian natives. Meanwhile, on Harmony, reeling from the failure of their attack, one particularly rebellious Tree hatches a suicidal plan to reach out and enlist the humans in opposing the renewed Koombar malice. The stalwart NASA team, dealing with riddles and enigmas posed by being caught among three different alien cultures, have an additional challenge: On a shaken Earth, a xenophobic and superstitious fundamentalist church gains political power in America, and its dogma assures they will be no friends to Martians.
Overman ably continues his SF series (begun with Blue Sunrise, 2011), though this installment is a little skimpier on the Koombar/Tree backstory. He tells the multi-tiered yarn from a variety of different vantages, including those of aliens (and machine intelligences) with limited or skewed sensory input with which to understand or trust each other. A plethora of pop-SF genre references surface to provide a little bit of relatability for readers less enamored by the hard-science engineering, mathematics, physics, chemistry, and biology that Overman insinuates into the narrative’s considerable twists, turns and whorls. The plot grows more extreme and audacious in the last act, but the resolution is still a satisfying one, pointing to further installments. Throughout, his Mars-based human ensemble rises to meet the most formidable crises with courage, brilliance, imagination, and creativity. As the team leader, Commander Ki Thon, says, “We were chosen out of all the billions of humanity because we have what it takes to make things work even in the places where anyone else would give up and die. We are the best they had, and now, due to our transition, we are tougher and smarter than ever.” There is also an endorsement of Buddhism, contrasted with a portrayal of Old Testament Christianity backward and cruel enough to make tree huggers of anyone.
Solid SF followup in an exceptionally ambitious, insightful and peril-filled First Contact saga.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: Aug. 30, 2023
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Pierce Brown ‧ RELEASE DATE: Jan. 6, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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