by Gregor Dallas ‧ RELEASE DATE: Oct. 1, 1997
A broad, colorful, engaging panorama of a crucial moment in the shaping of modern Europe, tracing the fall of Napoleon and the wily maneuvers of the victors to carve up his collapsed empire. Dallas (At the Heart of a Tiger: Clemenceau and His World 18411929, 1993) has extraordinary material to work with, and he makes the most of it. The long, costly struggle of England, Russia, and their allies to vanquish Napoleon seemed, with his exile to the island of Elba in 1814, to be over. In the aftermath of the war, the mutually suspicious victors convened the Congress of Nations in Vienna to establish national boundaries, carve out zones of influence, and firmly reassert the place of monarchs in an increasingly republican world. A remarkable cast of characters gathered to map out the new Europe, among them Tsar Alexander of Russia, by turns a mystic and a determinedly shrewd expansionist; Talleyrand, France's representative, a man bright and adaptable enough to have survived both the Revolution and Napoleon's reign; Castlereagh, a moody, brilliant figure who had almost singlehandedly created the British Foreign Service; and Metternich, Austria's Machiavellian foreign minister. Then, incredibly, Napoleon broke loose, quickly rallied his armies, and set out to reclaim his empire. That quest ended at Waterloo, in the most pivotal battle of the 19th century in Europe. Dallas's portraits of leading figures, while frankly opinionated, are deeply informed. He uses his considerable research admirably, offering vivid, fresh depictions of Paris, London, and Vienna, and of the drawing rooms, counting houses, and battlefields that figured in the vast drama. His argument that the treaty that emerged from Napoleon's downfall largely created modern Europe—and the tensions that would lead to even bloodier wars—is persuasive. A gripping and highly original work of popular history. (50 illustrations, 3 maps, not seen)
Pub Date: Oct. 1, 1997
ISBN: 0-8050-3184-7
Page Count: 560
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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