A well-written, deeply moving exploration of finding cause for optimism after a disaster.
After barely surviving the Great Storm of 1900, an orphanage boy searches for hope in this debut historical novel.
On Sept. 8, 1900, a hurricane slams into Galveston, Texas, in what is still America’s worst natural disaster. At St. Mary’s Orphan Asylum, the sisters and staff are desperately trying to save 93 children, but only three boys survive: Will Murney, 14; Albert Campbell, 13; and Frank Madera, 12. When the storm subsides, Will and his companions trek toward the hospital, slowed by injuries and a mountain of corpse-strewn wreckage. Stunned survivors wander among the debris, searching for loved ones. As time passes, Galveston begins to pull itself together, distributing food, providing medical aid, and collecting the dead. It takes six weeks to burn all the bodies. Meanwhile, Will struggles to reconcile himself with the tragedy without losing faith: “Although enduring loss was one of life’s most crucial themes, seeking sunlit hope in its wake was also one of its most crucial duties.” In his book, Funderburk hews closely to historic accounts and real figures, bringing them to life with great sensitivity and a fine ear for period-appropriate diction (“Your bean, son, got conked awful good”). While the story is harrowing, it is shot through with striking, well-earned moments of grace and compassion—even humor; a woman doling out food calls it “Don’t Ask Stew.” The storm’s destruction is horrifying, yet Will’s hunt for meaning is luminously described. The larger community comes together in ways sometimes flawed but also beautiful, as when Clara Barton, founder of the American Red Cross, gives a speech: “To watch her mobilize power in the cause of service to the suffering was extraordinary,” thinks Will.
A well-written, deeply moving exploration of finding cause for optimism after a disaster.Pub Date: Sept. 29, 2020
ISBN: 978-1-64663-178-0
Page Count: 282
Publisher: Koehler Books
Review Posted Online: Sept. 3, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Review Program: Kirkus Indie
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
