A dazzling account that deftly combines crime, drama, history, and introspective remembrance.
In this nonfiction book, the daughter of a renowned poet attempts to unravel the mystery of her grandfather’s potential involvement in a corporate scandal.
Cherington never met her grandfather Alpha LaRue “A.L.” Eberhart. But she grew up hearing her father, the Pulitzer Prize–winning poet Richard Eberhart, tearfully relate the great injustice A.L. once suffered while working for Geo. A. Hormel & Company, then a sizable meat-processing firm and now a multibillion-dollar conglomerate. In 1922, A.L. was asked to resign by the company’s CEO and founder, George Hormel, after it was discovered that the comptroller, Ransome Josiah “Cy” Thomson, had embezzled more than a million dollars. The resignation request was based on a “flimsy pretext”: that A.L. personally borrowed money from the company’s brokers. Meanwhile, there were suspicions “that A.L. had known Cy was stealing.” Eberhart often recounted the tale with furious indignation—in his eyes, the innocent A.L. was “six feet of manhood and not a mark of fear,” while Hormel was a “bastard, all greed for laying father so low.” But the author gradually became suspicious of her father’s penchant for poetic embellishment. She began to question the “family mythology” and to reflect with impressive sensitivity on the allure of such fabricated histories: “We cling to our myths, especially heady and intoxicating ones. We want to believe them as truth. We help in their construction by denying what’s in front of us and filling in holes to reinforce their validity. And in every great myth there are heroes, ones we don’t want to see fail.” She conducted an investigation and uncovered some discomfiting details—her grandfather was likely friends with Thomson, and at one time the comptroller inexplicably paid off one of A.L.’s loans, an incriminating piece of evidence. Moreover, there were rumors in the aftermath of the scandal that A.L. was an accomplice to Thomson’s crimes. Cherington rigorously combs all the available evidence and reconstructs not only the details of the scandal, but also the history of the company and the industry it came to dominate as well as her grandfather’s significant contributions to both. This is a mesmerizing story, one filled with drama and suspense and told with remarkable emotional insights.
A dazzling account that deftly combines crime, drama, history, and introspective remembrance.Pub Date: June 6, 2023
ISBN: 9781647420833
Page Count: 272
Publisher: She Writes Press
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: April 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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