A satisfying conclusion to an intelligent, utterly chilling horror trilogy.
The final book in director del Toro and thriller writer Hogan's (The Killing Moon, 2007, etc.) epic vampire trilogy.
Since the end of the previous book, the Master, an ancient being and source of a blood-borne parasitic infestation with vampire-like symptoms, has exerted near total control over the world. His vampire minions and a few human collaborators have set up concentration camps dedicated solely to harvesting blood for vampire consumption, while the rest of humanity scratches out a meager existence, watching re-runs on television and waiting in terror for their turn to be hauled to the camps. Hope for humanity is at a low ebb. Nuclear explosions have left the planet in a state of near-perpetual night. Abraham Setrakian, the old-world vampire hunter who has been trailing the Master for decades, is dead, and Dr. Ephraim Goodweather, the epidemiologist who first understood the nature of the new threat, now spends most of his time in a pill-induced haze, pining for his lost son, who, though still human, is under the Master's thrall. There are still pockets of resistance, though. Gangbanger turned fearless vampire hunter Augustin "Gus" Elizade has set up base in the now-unused Columbia University campus, and exterminator Vasiliy Fet is working to translate an ancient, silver-bound book that Setrakian seemed to think contained the knowledge necessary to destroy the Master for good. When Dr. Nora Martinez, Goodweather's former colleague and lover who is now attached to Fet, is taken to a blood camp, Goodweather, Fet and Elizalde, along with the mysterious half-vampire Mr. Quinlan, must come together to free her, and then to find a way to end the Master's reign once and for all. While one of the principal charms of the series so far has been its unique, near-plausible scientific treatment of vampirism, the third book introduces elements of the supernatural, which is somewhat disappointing. Still, the prose crackles, the plot barrels forward with increasing momentum and the authors' knack for thoughtful horror and striking imagery remains intact.
A satisfying conclusion to an intelligent, utterly chilling horror trilogy.Pub Date: Oct. 25, 2011
ISBN: 978-0-06-155826-9
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Nov. 1, 2011
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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