An inventive and macabre new spin on malevolent body snatchers.
A rookie FBI agent stumbles into a supernatural mystery when a series of murders erupts in New York, starting with her partner.
Hogan and del Toro have an exceptional track record with supernatural thrillers—see The Strain Trilogy (2009-2011)—so this new series starring a novice FBI agent and a classic occult detective is a welcome gift to disciples of Lovecraft-ian fiction. Odessa Hardwicke is cast in the mold of Clarice Starling, a tough but self-doubting FBI agent still finding her way. She and her jaded partner, Walt Leppo, are first on the scene when a disgraced politician slays his wife and children. In the midst of this gruesome scene, Leppo unexpectedly and abruptly stabs the surviving child, forcing Odessa to shoot him dead, glimpsing a weird specter departing as he breathes his last. The narrative then jumps from the modern day to the Mississippi Delta circa 1962, where African American FBI agent Earl Solomon is on the trail of someone lynching white victims. Intertwined between these storylines is the origin story of our other primary character, John Blackwood, a seemingly immortal investigator modeled after Algernon Blackwood’s John Silence. These disparate threads converge as Odessa, unjustly exiled from the FBI, connects with a dying Solomon, who gives her insight into his odd fellowship with Blackwood. After Odessa delivers an appeal to a cryptic mailbox in Manhattan, Blackwood suddenly materializes, a gaunt, erudite, and awkward consort cursed to chase down a specific breed of evil in this world. The body count rises with a massacre on Long Island while Blackwood teaches Odessa about a twisted cult dating back to Mesopotamian times that affords a select few souls, the titular Hollow Ones, the ability to jump between bodies and find ecstasy in their host’s violent death. Readers of occult fiction from Poe to Richard Kadrey will instantly recognize the creepy vibes and likely enjoy the ride.
An inventive and macabre new spin on malevolent body snatchers.Pub Date: June 23, 2020
ISBN: 978-1-5387-6174-8
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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