Elegant language, endearing characters, and irresistible images will warm hearts and minds with each reading.
A piglet and her grandmother lead a cozy and cultured life together on a hilltop in Paris—but something is missing.
Alice enjoys reading, making lists, and organizing buttons on her own as well as baking and eating crème brûlée with her beloved guardian. Sometimes, however, she yearns for “someone her own size to talk to.” The bottle she pitches into the Seine is carried by an octopus, a sea gull, and the current across the ocean to François, a lonely lighthouse keeper’s son (a dog). So begins a wonderfully preposterous correspondence in which Gordon’s sly humor and understanding of child logic (very reminiscent of William Steig’s) shine forth. When François inquires as to Alice’s whereabouts, she replies, after some thought: “I am… / …over here. What are you doing over there?” The seascapes, city scenes, and interior views, rendered in cheery, warm watercolors and pencil, are enriched with clippings that appear to be from an antique French catalog; labeled furniture and kitchen items add texture and whimsy. When the protagonist’s grandmother dies and the little pig goes to live with kindly Miss Clément (an antelope), readers will witness Alice’s withdrawal and grief (and François’ confusion at the silence), until “the dark clouds slowly packed up their things and shuffled into the distance, and the sun sprung forth.” A lighthouse visit and the resumption of baking show it is possible to accommodate loss into living.
Elegant language, endearing characters, and irresistible images will warm hearts and minds with each reading. (Picture book. 4-7)Pub Date: July 7, 2020
ISBN: 978-0-525-55400-4
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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