This globe-trotting tale remains a tough read for anyone looking for linear storytelling.
An artist embarks on a momentous journey during turbulent times.
Though the author draws on his own experiences, this ambitious book is a novelistic work rather than a memoir. Gac-Artigas’ (Ado’s Plot of Land, 2002, etc.) hero has a view from the ground of historical movements, plying his trade as an actor, theater director, and poet in Chile during the months leading up to the 1970 election and in Colombia at the dawn of the drug trade. He immerses himself in revolutionary politics and romance in Paris and Rome in the late ’60s and, at different times, finds himself in jail and then exiled from his native Chile. He is an activist and an artist in dangerous times and places, traveling the world from South America to Europe, often fleeing one place to get to another. Along the way, he shares some observations of the countries he visits (“On entering Colombia, when you enter the hot lands—and along its borders there are no cold lands—the damp heat clings to your body; the mosquitoes cling to your body so they can slake their thirst for fresh blood; its history clings to your body and to your history”). Ultimately, he starts over with his family in Rotterdam. While based on Gac-Artigas’ life story, what the author is after here isn’t an orderly tale. It’s more evocative than informational. The prose can be beautiful and lyrical, as when he talks about the birth of the protagonist’s daughter, writing, “The lights bowed their heads before her beauty and her honey-colored skin, and nestled her among its rays.” But the narrative often doesn’t provide a grounding in a period or place, making it hard to judge where a scene is happening, who is there, or where it fits into the timeline. And as skilled as the author’s poetry can be, he is also prone to get lost in his own language. In one passage, he writes: “That was the beginning of the mirror refracting his image, reflecting both reality and the individual, torn between the anguish of other people’s suffering and the unbearable pain it inflicted on oneself.” That sentence continues for several more lines, making the meaning of the original metaphor impenetrable. There are some wonderful moments in this work, but the author’s design makes them hard to unearth.
This globe-trotting tale remains a tough read for anyone looking for linear storytelling.Pub Date: March 13, 2017
ISBN: 978-1-930879-72-0
Page Count: 456
Publisher: Ediciones Nuevo Espacio-AcademicPressENE
Review Posted Online: Aug. 25, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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