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AND ALL OF US WERE ACTORS

A CENTURY OF LIGHT AND SHADOW

This globe-trotting tale remains a tough read for anyone looking for linear storytelling.

An artist embarks on a momentous journey during turbulent times.

Though the author draws on his own experiences, this ambitious book is a novelistic work rather than a memoir. Gac-Artigas’ (Ado’s Plot of Land, 2002, etc.) hero has a view from the ground of historical movements, plying his trade as an actor, theater director, and poet in Chile during the months leading up to the 1970 election and in Colombia at the dawn of the drug trade. He immerses himself in revolutionary politics and romance in Paris and Rome in the late ’60s and, at different times, finds himself in jail and then exiled from his native Chile. He is an activist and an artist in dangerous times and places, traveling the world from South America to Europe, often fleeing one place to get to another. Along the way, he shares some observations of the countries he visits (“On entering Colombia, when you enter the hot lands—and along its borders there are no cold lands—the damp heat clings to your body; the mosquitoes cling to your body so they can slake their thirst for fresh blood; its history clings to your body and to your history”). Ultimately, he starts over with his family in Rotterdam. While based on Gac-Artigas’ life story, what the author is after here isn’t an orderly tale. It’s more evocative than informational. The prose can be beautiful and lyrical, as when he talks about the birth of the protagonist’s daughter, writing, “The lights bowed their heads before her beauty and her honey-colored skin, and nestled her among its rays.” But the narrative often doesn’t provide a grounding in a period or place, making it hard to judge where a scene is happening, who is there, or where it fits into the timeline. And as skilled as the author’s poetry can be, he is also prone to get lost in his own language. In one passage, he writes: “That was the beginning of the mirror refracting his image, reflecting both reality and the individual, torn between the anguish of other people’s suffering and the unbearable pain it inflicted on oneself.” That sentence continues for several more lines, making the meaning of the original metaphor impenetrable. There are some wonderful moments in this work, but the author’s design makes them hard to unearth.

This globe-trotting tale remains a tough read for anyone looking for linear storytelling.     

Pub Date: March 13, 2017

ISBN: 978-1-930879-72-0

Page Count: 456

Publisher: Ediciones Nuevo Espacio-AcademicPressENE

Review Posted Online: Aug. 25, 2017

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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SEE ME

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...

Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.

Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.

Pub Date: Oct. 13, 2015

ISBN: 978-1-4555-2061-9

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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