by Gustavo Roldán ; illustrated by Gustavo Roldán ; translated by Robert Croll ‧ RELEASE DATE: May 4, 2021
Roldán celebrates the social currency of cracking-good storytelling—and the expediency of a well-placed nap.
Juan, a red denizen of a colony of busy black ants, offsets his extreme indolence by enthralling his mates with picaresque tales of his grandfather’s derring-do.
Capable of 10 daily naps, Juan one day surprises everyone by appearing with “a stick between his feet with a little cloth bundle full of food.” He’s off to trace his grandfather’s paths, to “see the world” and return with “heaps of new stories to tell.” As hours pass, the ants speculate on Juan’s adventures, thereby imbuing him with increasing quantities of strength and bravery. A flash flood during Juan’s absence prompts ever greater heights of cogitation, as the ants envisage their newly crowned hero drowned. After the flood recedes, the ants decide to memorialize Juan by planting a flower at the base of a large willow tree. En route, a passing mosquito reports that Juan is actually asleep in that very tree, high up in a knothole. Indeed, the champion napper has slept through the flood, bedding down at the first hint of heavy clouds. Juan cleverly assuages the ants’ disappointment, springing down to share the bundle of food he’d packed while regaling them—yet again— with his grandfather’s escape from an eagle’s talons. Charmingly ant-ic black line drawings, accented with red, green, and yellow, pop against expansive white space. Dialogue is keyed in red type, enhancing the handsome overall design.
Roldán celebrates the social currency of cracking-good storytelling—and the expediency of a well-placed nap. (Picture book. 3-7)Pub Date: May 4, 2021
ISBN: 978-1-939810-82-3
Page Count: 64
Publisher: Elsewhere Editions
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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IndieBound Bestseller
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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