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MISTER, MISTER

A penetrating view of the legacies of extremism.

Poetry and terrorism color this tense coming-of-age story.

Yahya Bas, the son of a British woman and an Iraqi man, is raised as a Muslim in London by an uncle and several women who share a kind of refugee home. His father disappeared after returning to the Middle East in 1991. His mother is mentally disturbed and constantly sews until one day, Penelope–like, she begins undoing stitches. His uncle teaches Yahya about poetry, which he begins writing as a teen under the influence of the Iraq War and images from Abu Ghraib. He becomes a popular propagandist at pro-Muslim rallies. When the novel opens, Yahya is in prison, responding to interrogation from the titular “Mister” by writing his life story. The sense that the detainee faces some grim reckoning—although Gunaratne suggests otherwise by making him the first-person narrator—sustains the main thread of suspense. Allusions to the Beatles recall the Islamic State foursome given that nickname. Yahya travels overseas along a route taken by would-be jihadists. As in their first novel, In Our Mad and Furious City (2018), the author draws on actual news reports; here, in particular, stories of British jihadists who seek to come home. But the book—which recalls aspects and certainly the title of Mohsin Hamid’s The Reluctant Fundamentalist—goes beyond political disenchantment, exploring questions of religious and racial alienation, the power of art and oratory, the consolations of community. Gunaratne creates in their narrator, Yahya, a perceptive, sensitive character with an energetic and affecting voice. Most important, the author avoids cant or easy answers, underlining the inescapable ambivalence of such lives by closing with an ironic nod to David Copperfield, “Whether I turn out to be the hero of my own life, or the villain of yours, these pages will show.”

A penetrating view of the legacies of extremism.

Pub Date: Oct. 3, 2023

ISBN: 9780593701423

Page Count: 384

Publisher: Pantheon

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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