Ablaze with humor, insight, and love.
Lily blames her wild and willful behavior on her imaginary tiger, but she learns there’s a time for wild and a time for quiet.
Big-eyed and seemingly innocent, Lily sits amid a kid-crafting disaster zone. As paint oozes down the side of the couch (which barely hides a hulking orange-and-black striped mass with ears and a tail), Lily declares Tiger the culprit. The “two” continue to wreak havoc wherever they go until Lily, unabashed and unapologetic, receives a timeout. With Tiger roaring the enticing words “We can do anything we want. We can be wild!” the two run away. Lily’s expressive mop of black hair flies free behind her gleeful, paper-white face. But things begin to get too wild as Tiger eats all their sustenance, equipment, and, hilariously, Lily’s shoes. Like Maurice Sendak’s Max, Lily begins to miss home. Relief, hugs, and remorse are shared when Lily is found, and then both girl and tiger are lovingly tucked into bed. But Millward does not thereafter relegate Lily to a life of boredom or exacting behavior. Instead, she gives Lily depth, acknowledging that the girl may still want to visit the wild at times—and her parent may also. These sophisticated, energetic illustrations, full of spontaneity and made to look like a child’s drawing on paper, are loaded with playfulness and appeal that perfectly match the wit and wisdom of the text.
Ablaze with humor, insight, and love. (Picture book. 3-7)Pub Date: June 30, 2020
ISBN: 978-0-593-11815-3
Page Count: 32
Publisher: Viking
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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