A funny but uneven take on love at the end of the world.
It’s the end of the world as she knows it, but the Prince of Hell is fine.
Callie, a recent college graduate living back at home with her mother, is admittedly “flailing a bit” at adulthood. With no idea what to do with her history degree, she's helping to run The Great Escape, the family’s successful escape room business. But on Callie's first weekend taking the reins while her mom is away, all hell breaks loose—literally. A satanic cult headed by the blackhearted Solomon Elerion has been drawn to the occult-inspired escape room for a prop book of spells that turns out to be very real, hoping to summon a high-level demon. Their plan? To bargain for the location of The Holy Lance, which they will use to bring about the apocalypse. Luke Morningstar, Prince of Hell, is also finding adulthood harder than he imagined. He has yet to receive his wings and is under strict orders from his father to start harvesting souls for the underworld. When his supervisor, Lucifuge Rofocale, is summoned by Elerion, Luke goes in his stead with grand plans to accomplish this task and get his dad off his back. What he doesn’t plan for is Callie, their immediate attraction, or how much he wants to help her save the world. The author successfully creates a tongue-in-cheek supernatural adventure held up by witty banter and a ragtag team of heroic underdogs, including Callie's nonbinary best friend, the artistic and stylish Mag. But the lackluster instalove romance between a stereotypically bookish heroine and a demon who's supposed to be hot as hellfire but lacks any sinister devilishness, pacing that's off, and ham-fisted pop-culture references drag the novel down.
A funny but uneven take on love at the end of the world.Pub Date: Oct. 5, 2021
ISBN: 978-1-2507-7174-2
Page Count: 320
Publisher: St. Martin's Griffin
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A charming dual-timeline romance about learning from past mistakes.
In Yarros’ latest romance novel, a young woman hires a handsome but infuriating writer to complete her late great-grandmother’s half-finished book.
After her marriage to a Hollywood producer ends in high-profile divorce, 28-year-old Georgia Stanton returns to her childhood home in Colorado. When she arrives at the house where she was raised by her great-grandma—the famous romance author Scarlett Stanton—she finds her mother, Ava, lying in wait. Georgia is in possession of the only unfinished manuscript that her deceased relative left behind, and her own mom wants her to sell the rights so they can get some cash. Georgia succumbs to the pressure and enters a deal in which another author will finish the book’s second half. The manuscript tells Scarlett’s life story, including how she found, and lost, her one true love. Georgia feels strongly that the finished novel must reflect the true events of Scarlett’s life, as difficult as they may have been. Unfortunately, the publishers hire Noah Harrison, a stubborn writer at the height of his career, who has his own fictional vision for the novel’s ending. As Noah and Georgia butt heads, each of them researches Scarlett’s history in England during World War II. As they learn more about Scarlett and Jameson Stanton, the fighter pilot she loved, Georgia and Noah must navigate their own increasingly complicated relationship. With two equally engrossing storylines, this book will draw in even seasoned romance readers. As the story jumps between past and present, the author also alternates present-day perspectives between Georgia and Noah, moving deftly between her characters’ distinct voices. The relationships are well developed, and the love that Scarlett felt for Jameson is especially palpable. Along with the sweetly romantic themes, the book explores several heftier topics, including personal ambition, grief, family discord, and self-esteem. The story has a few digressions that do little to advance the plot, but the main characters are sufficiently engrossing that readers will want to stick with them to the end.
A charming dual-timeline romance about learning from past mistakes.Pub Date: Feb. 23, 2021
ISBN: 978-1-68281-566-3
Page Count: 400
Publisher: Entangled: Amara
Review Posted Online: Jan. 20, 2021
Kirkus Reviews Issue: March 1, 2021
Review Program: Kirkus Indie
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