Next book

MAYA AND ANNIE ON SATURDAYS AND SUNDAYS / LOS SÁBADOS Y DOMINGOS DE MAYA Y ANNIE

A lovely multicultural story about a young friendship, celebrating culture and differences.

A childhood friendship and cultural acceptance are at the center of this authentic, special story.

In alternating first-person narration, Annie and Maya take turns describing their weekends: They play video games inside and in the backyard of Annie’s big home; in Maya’s little house, they help with the garden and play with her two dogs. When in Annie’s home, Maya is introduced to different foods: noodles, dumplings, and gai lan. At Maya’s place, Annie enjoys tamales, tacos, and pozole. The two celebrate a posada with Maya’s mother and Lunar New Year with Annie’s dad. Sometimes the girls fight, but they always make up. One Sunday, both families eat together, and the girls learn that their parents, Annie’s dad and Maya’s mom, are getting married. Muraida’s colorful, vibrant illustrations pay special, subtle tribute to the girls’ Latin American and Vietnamese backgrounds; spreads of the girls at their respective homes display culturally appropriate décor and patterns. Most strikingly, perhaps, two spreads depict the families sharing in each other’s religious and cultural celebrations: One displays a candlelit evening parade and children striking a piñata, while the other depicts another vivid parade following red lanterns and an undulating, festive paper dragon. Each page incorporates bilingual text for both English and Spanish readers.

A lovely multicultural story about a young friendship, celebrating culture and differences. (Bilingual picture book. 3-7)

Pub Date: May 31, 2018

ISBN: 978-1-55885-859-6

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

Next book

CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Next book

LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

Close Quickview