A gritty music story/romance with an endearing narrator.
A novel focuses on the journey of a washed-up rock star who becomes an unlikely father figure.
Damen Warner is the frontman for the band OBNXS, which has just been dumped by its label. Damen lives with a motley crew of roommates and a rooster in Chicago who are on a downward spiral: “It hadn’t taken long for” the band’s “bad habits to settle into a routine…boozing and jamming,” messing around with “dancers and drugs…until the sun came up and the whole cycle started over again.” But there is hope for the group when an investor agrees to help fund its next project. Though Damen’s career has taken a positive turn, his personal life is in upheaval. He has fraught dealings with his family; he is struggling to get inspiration for his latest album; and he is unclear about the terms of his relationship with Melody, a stripper at a club he frequents. When he is called in to babysit Melody’s daughter, Victoria, at the last minute, he begins to form a bond with the girl, instructing her to stand up to school bullies and even taking her trick-or-treating. As he and the band try to record a new album, they join forces with a millennial blogger who helps OBNXS go viral, capitalizing on Damen’s public escapades. But Damen and Melody’s relationship is tested as he struggles to cope with her clients and Victoria’s father, a rich guy who hates the musician and wants to take the child from her mother. In this engaging, well-crafted sequel, Damen’s narrative voice is distinct, raw, and cynical, just right for a 30-year-old rock star trying to get back on top. Gebien establishes Damen’s voice from the very first page. The protagonist warns readers: “Well, congratulations. It’s all downhill from here. You don’t have to turn back—it’s a free country. You can do what you want. Go ahead and stare at the sun while you’re at it: it will probably cause less damage to your retinas than the escalating indecency ahead. Still here? God help you.” But for all the discussion of Damen’s rock dreams, he doesn’t make much music throughout the course of the book. This is one rich area that could have been further explored.
A gritty music story/romance with an endearing narrator.Pub Date: July 28, 2022
ISBN: 978-0-578-38589-1
Page Count: 342
Publisher: Self
Review Posted Online: June 23, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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