An engrossing rock novel about a complicated antihero.
Gebien concludes her trilogy about the journey of a washed-up rock star in this novel.
Damen Warner, the frontman for the band OBNXS, is back in his final story about trying to make it as a rock star. Throughout the novel, numerous obstacles are put in Damen’s way: his grandmother’s will, a custody battle, pit bulls, viral videos, and more. He has fallen into a deep alcoholic depression: Damen “looked like ten pounds of shit in a five-pound bag. Thirty years old. Too tall, too thin, too angry, too mean.” Damen’s relationships with his girlfriend, Melody, and her daughter, Vico, are in trouble: Melody’s ex, the “Baby Daddy,” wants custody of their daughter, and Damen ends up in the middle of the conflict. Additionally, Melody is meeting with her former clients from a strip club for extra money, which makes Damen uncomfortable. Then Damen runs into Evangeline, a girl he met on the road, a social media–savvy evangelical Christian willing to help the band with their image—for a fee. She arranges protests against OBNXS to gin up publicity, generating sufficient interest to allow the band to continue working on their album. Though Damen finds it easy to create the image that the internet demands, he drifts further away from who he is as an artist (“As much as I wanted to believe my career was rallying due to the overwhelming magnetism of my musical genius, the truth was most of my notoriety now came from videos of me doing stupid shit on the internet, including such hit singles as “Arrested Naked” (feat. TSA), “That Guy Who Kicked Over A Piano,” and “Strip Club Riot”).
The author is able to evoke raw emotions with a depth of sincerity (and a bit of embarrassment) through her cast of quirky characters. Damen has moments of tenderness with Vico balanced by his characteristic raw, raunchy humor and distinct voice. The narrative is paced well, moving quickly from one episode to the next. Gebien’s vivid descriptions transport readers into each scene and expose Damen’s naked feelings—as he struggles with the urge to drink one night, he leaves Melody in bed and goes to the kitchen, where he sees that “the abandoned chilis still lay on the cutting board like small, shriveled, scorched hearts. [He] knew how they felt.” These moments of revelation help make Damen an empathetic character. The sequences in which the band collaborates and riffs are strengths of the novel, allowing the reader to see more of Damen’s artistic process. Describing the album the band is working to complete, Damen notes that the “range of new sounds we planned to include was a lot wider than any of our previous work, slaloming wildly from hard rock and metal to dark country to absurd pop to achingly earnest to melodic impressionism.” Or, as Mungo Gordon, the band’s producer, sums it up, “chaotic,” a word that could also describe the feel of the novel—though it’s chaotic in a purposeful way, like OBNXS’ music.
An engrossing rock novel about a complicated antihero.Pub Date: April 25, 2023
ISBN: 9798988160502
Page Count: 436
Publisher: Self
Review Posted Online: June 16, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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