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THE WHITE KING

Dark comedy and enveloping tragedy converge in this powerfully disturbing novel.

A debut novel by a 34-year-old Romanian author that depicts totalitarian brutality from a child’s perspective.

When the father of 11-year-old narrator Djata leaves home, escorted by some strange men, he tells his son that he has to go to a research station and will be back in a week or so. As months pass, Djata must try to come to terms with his father’s disappearance. Is he imprisoned? Dead? Had the man he has always trusted completely lied to his son? Throughout the first half of the novel, many chapters read like self-contained episodes, even parables, with little narrative momentum. Yet the accumulation of detail allows the reader, sometimes earlier than the narrator, to discover hints as to what has transpired in this unnamed country (based on the author’s native Romania). The “crime” of Djata’s father was to sign a petition. His disappearance has deepened a rift between Djata’s mother and his grandparents, who blame her for their son’s plight. The grandfather is a recently retired Party secretary, whom even his grandson must address as “Comrade Secretary.” Does he still have the power or connections to come to his son’s aid? Or did the imprisonment of Djata’s father cost Comrade Secretary his position and influence? The novel details almost two years in the life of Djata after his father’s disappearance, years in which children turn almost as brutal toward each other (with a Lord of the Flies morality) as teachers, coaches and figures of authority are toward the children. One vignette has them playing soccer on a radioactive field; another has them playing war games that risk the fatalities of a real war. Then there’s the appearance of the mysterious Pickax, a man whose face has been disfigured beyond recognition and who has some seemingly mysterious powers. Is he Djata’s father? Does he know the fate of Djata’s father?

Dark comedy and enveloping tragedy converge in this powerfully disturbing novel.

Pub Date: April 21, 2008

ISBN: 978-0-618-94517-7

Page Count: 288

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2008

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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